"Magnificat in D Major, BWV 243: Et misericordia (Alto, Tenor)" by Johann Sebastian Bach, Christina Landshamer, Diana Haller, Maarten Engeltjes, Maximilian Schmitt, Konstantin Wolff, Bavarian Radio Chorus, Concerto Köln, Peter Dijkstra was released on January 1, 2013. The duration of Magnificat in D Major, BWV 243: Et misericordia (Alto, Tenor) is about 3 minutes long, at 3:28. Based on our data, "Magnificat in D Major, BWV 243: Et misericordia (Alto, Tenor)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 20 in Bach: Magnificat - Handel: Dixit Dominus by Bavarian Radio Chorus, Peter Dijkstra. In terms of popularity, Magnificat in D Major, BWV 243: Et misericordia (Alto, Tenor) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Magnificat in D Major, BWV 243: Et misericordia (Alto, Tenor) by Johann Sebastian Bach, Christina Landshamer, Diana Haller, Maarten Engeltjes, Maximilian Schmitt, Konstantin Wolff, Bavarian Radio Chorus, Concerto Köln, Peter Dijkstra is Andante (at a walking pace), since this song has a tempo of 91 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Stabat Mater: 11. Inflammatus | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 102 BPM | ||
Requiem in D Minor, K. 626 (Süssmayr - Dutron 2016 completion): IV. Ordinario - Agnus Dei | Wolfgang Amadeus Mozart, RIAS Kammerchor, Sophie Karthäuser, Marie-Claude Chappuis, Maximilian Schmitt, René Jacobs, Johannes Weisser, Freiburger Barockorchester | F Major | 1 | 7B | 62 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Rodelinda / Act 3: Vivi, tiranno, io t'ho scampato | George Frideric Handel, Marijana Mijanovic, Il Complesso Barocco, Alan Curtis | A Major | 2 | 11B | 123 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Gloria. Qui tollis peccata mundi | Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Minor | 2 | 12A | 81 BPM | ||
Gloria in D, R.589: 6. Domine Deus, Rex Coelestis | Antonio Vivaldi, Judith Nelson, Academy of Ancient Music, Simon Preston | B Major | 0 | 1B | 86 BPM | ||
Service In B Flat (Z.230): Nunc dimittis | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | E♭ Major | 1 | 5B | 130 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Mass in B Minor, BWV 232: Kyrie: 2. Christe eleison | Johann Sebastian Bach, Collegium Vocale Gent, Véronique Gens, Johannette Zomer, Philippe Herreweghe | D♭ Major | 1 | 3B | 109 BPM |