"Mass in B Minor, BWV 232: Kyrie: 2. Christe eleison" by Johann Sebastian Bach, Collegium Vocale Gent, Véronique Gens, Johannette Zomer, Philippe Herreweghe was released on 2000. Mass in B Minor, BWV 232: Kyrie: 2. Christe eleison is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The track order of this song in Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent's "J.S. Bach: Mass in B Minor" album is number 2 out of 27. In terms of popularity, Mass in B Minor, BWV 232: Kyrie: 2. Christe eleison is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass in B Minor, BWV 232: Kyrie: 2. Christe eleison by Johann Sebastian Bach, Collegium Vocale Gent, Véronique Gens, Johannette Zomer, Philippe Herreweghe to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Johannes-Passion, BWV 245.1: 21. Recitativo: Und die Kriegsknechte flochten eine Krone | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Tobias Berndt, Daniel Ochoa | D Major | 2 | 10B | 172 BPM | ||
Die Schöpfung, Hob. XXI:2, Erster Teil: IX. Arie "Nun beut die Flur das frische Grün" | Joseph Haydn, Orchestre des Champs-Élysées, Philippe Herreweghe, Christina Landshamer | A Major | 0 | 11B | 79 BPM | ||
III. Es Erhub Sich Ein Streit BWV 19, 7. Choral (Coro): Laß Dein Engel Mit Mir Fahren | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Susan Williams, Frank Aarnink, Johann Sebastian Bach, Bas Ramselaar, Ruth Holton, Sytse Buwalda, Hendrik Jan Houtsma, Frank Anepool, Pieter Jan Leusink | B Major | 2 | 1B | 124 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Te Deum: IX. Per singulos dies | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Magnificat, RV 610: 9. Gloria Patri | Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Minor | 2 | 6A | 103 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 4. Aria (Tenore) (Versus III): Jesus Christus, Gottes Sohn | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Johann Sebastian Bach, Sytse Buwalda, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Jesu, meine Freude, BWV 227: II. Es ist nun nichts | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij, Zsuzsi Tóth | A♭ Minor | 1 | 1A | 105 BPM | ||
Das Sühnopfer des neuen Bundes, Pt. 1: No. 1, Wo find' ich ihn, der meiner Augen Licht | Carl Loewe, Monika Mauch, Ulrike Malotta, Georg Poplutz, Andreas Burkhart, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper | E Major | 0 | 12B | 73 BPM |