"Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Gloria. Qui tollis peccata mundi" by Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick was released on September 29, 2009. With this song being about 5 minutes long, at 4:45, "Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Gloria. Qui tollis peccata mundi" by Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Joseph Haydn, Owen Burdick, Rebel Baroque Orchestra's "Haydn, J.: Masses (Complete) (Trinity Choir, Rebel Baroque Orchestra, Burdick, Glover) (8 Cd Box Set)" album is number 15 out of 157. On top of that, Hong Kong appears to be the country where this track was created. Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Gloria. Qui tollis peccata mundi is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Gloria. Qui tollis peccata mundi by Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa in Angustiis "Lord Nelson Mass": II. Gloria | Franz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson, Abigail Fischer, Keith Jameson, Kevin Deas | F Major | 2 | 7B | 78 BPM | ||
Shéhérazade, M. 41: I. Asie | Maurice Ravel, Anne Sofie von Otter, Cleveland Orchestra, Pierre Boulez | B♭ Major | 3 | 6B | 93 BPM | ||
Mass No. 6 in G Major, Hob.XXII:6, "Missa Sancti Nicolai", "Nikolaimesse": Kyrie | Joseph Haydn, Ann Hoyt, Luthien Brackett, Stephen Sands, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | G Major | 1 | 9B | 127 BPM | ||
Five Pieces For Two Violins and Piano: III. Elegy | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | A Major | 1 | 11B | 92 BPM | ||
Requiem in D Minor, WAB 39: IVa. Agnus Dei | Anton Bruckner, Johanna Winkel, Sophie Harmsen, Michael Feyfar, Ludwig Mittelhammer, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz | C Major | 0 | 8B | 65 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 2, Air and Chorus. "Now Vanish Before the Holy Beams" (Uriel, Chorus) | Joseph Haydn, Sir Simon Rattle, City of Birmingham Symphony Chorus, Philip Langridge, City Of Birmingham Symphony Orchestra | B♭ Major | 3 | 6B | 109 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B Minor | 1 | 10A | 79 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Stabat Mater: VIII. Virgo virginum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Missa Solemnis in C Major, WoO 12, S74: Sanctus | Johann Nepomuk Hummel, David Griffiths, Zan McKendree-Wright, Patrick Power, Patricia Wright, TOWER Voices New Zealand, New Zealand Symphony Orchestra, Uwe Grodd | C Major | 1 | 8B | 143 BPM |