Marc-Antoine Charpentier, William Christie, Les Arts Florissants's 'Charpentier : Médée, Act 3: "Quel prix de mon amour" (Médée)' came out on March 28, 1995. With this song being about 5 minutes long, at 4:58, "Charpentier : Médée, Act 3: "Quel prix de mon amour" (Médée)" by Marc-Antoine Charpentier, William Christie, Les Arts Florissants is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 37 out of 66 in Charpentier : Médée by Marc-Antoine Charpentier, William Christie, Les Arts Florissants. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Charpentier : Médée, Act 3: "Quel prix de mon amour" (Médée)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Charpentier : Médée, Act 3: "Quel prix de mon amour" (Médée) by Marc-Antoine Charpentier, William Christie, Les Arts Florissants is Allegro (fast, quick, and bright), since this song has a tempo of 136 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ho vinto, Amor (I) | Tommaso Carapella, Cappella Mediterranea, Leonardo García-Alarcón, Léo Fernique, Valerio Contaldo | B♭ Minor | 0 | 3A | 110 BPM | ||
Madrigals, Book 6: Moro, lasso, al mio duolo | Carlo Gesualdo, Les Arts Florissants, Paul Agnew | E Minor | 1 | 9A | 93 BPM | ||
Kyrie Eleison, RV. 587: Coro "Kyrie eleison" I | Antonio Vivaldi, Les Arts Florissants, Paul Agnew | B Minor | 1 | 10A | 75 BPM | ||
Te Deum "de Lyon": IV. Te martyrum candidatus laudat exercitus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Cleofide: Act II Scene 4: Aria: Generoso rifuegliati, o core (Poro) | Johann Adolf Hasse, Emma Kirkby, Agnes Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie | A♭ Major | 2 | 4B | 143 BPM | ||
Actéon, H. 481, Scene V: Jamais troupe de chasseurs | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | B Major | 3 | 1B | 86 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Che farò senza Euridice" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Adriano in Siria, Act II: Act II Scene 2: Recitative: Emirena mio ben (Sabina, Adriano, Idalma) | Francesco Maria Veracini, Romina Basso, Sonia Prina, Lucia Cirillo, Europa Galante, Fabio Biondi | A Major | 1 | 11B | 73 BPM | ||
Mondonville : Dominus regnavit : I | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | C Minor | 2 | 5A | 126 BPM |