"O Mio Babbino Caro" by Pieter Jan Leusink, Urker Mannen Ensemble, Vocal Group CALL had its release date on May 1, 2010. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. O Mio Babbino Caro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pieter Jan Leusink, Urker Mannen Ensemble, Vocal Group CALL's "Musica di Venezia" album is number 14 out of 19. On top of that, Netherlands appears to be the country where this track was created. O Mio Babbino Caro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O Mio Babbino Caro by Pieter Jan Leusink, Urker Mannen Ensemble, Vocal Group CALL to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allein zu dir, Herr Jesu Christ | Johann Pachelbel, Dieter Glös | B♭ Major | 0 | 6B | 62 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: IV. Variation IV | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Cantilena | Pieter Jan Leusink, Urker Mannen Ensemble, Vocal Group CALL | G Major | 4 | 9B | 82 BPM | ||
German Mass, D.872: Transubstantiation: Betrachtend deine Huld und Güte | Franz Schubert, Vienna Boys' Choir, Chorus Viennensis, Rudolf Scholz, Wiener Symphoniker, Uwe Christian Harrer | D Major | 0 | 10B | 124 BPM | ||
Sonata in D Minor for Flute and Basso Continuo, RV 49: I. Preludio | Antonio Vivaldi, ConSerto Musico, Mario Folena, Roberto Loreggian | B Major | 4 | 1B | 94 BPM | ||
Stabat Mater, RV 621: Amen | Antonio Vivaldi, Marion Newman, Aradia Ensemble, Kevin Mallon | B Major | 1 | 1B | 142 BPM | ||
Canzona in C Major, FbWV 305, Pt. 1 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Meditation No. 5 | Alexander Därr | E♭ Major | 0 | 5B | 78 BPM | ||
Motetto de S. Joanne Baptista: III. Coro. Alleluia | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Kuhnau: Magnificat in C Major: XIII. Chorus. "Sicut locutus est" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM |