Antonio Vivaldi, Marion Newman, Aradia Ensemble, Kevin Mallon's ' "Stabat Mater, RV 621: Amen" was released on its scheduled release date, May 16, 2006. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Vivaldi, A.: Sacred Music, Vol. 2 by Antonio Vivaldi, Aradia Ensemble, Kevin Mallon. The song's track number on the album is #14 out of 22 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Stabat Mater, RV 621: Amen's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Stabat Mater, RV 621: Amen by Antonio Vivaldi, Marion Newman, Aradia Ensemble, Kevin Mallon has a tempo of 142 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Stabat Mater, RV 621: Amen being at 142 テンポ, the half-time would be 71 テンポ with a double-time of 284 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: No. 13, Juxta crucem. Andante smorzato (Alto Solo) | Alessandro Scarlatti, Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini | E Major | 0 | 12B | 79 BPM | ||
Ouverture for Strings & Continuo in A Major: V. Rondeau - Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Major | 3 | 12B | 200 BPM | ||
Laudate pueri Dominum, RV 600: Quis sicut Dominus | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | B Major | 1 | 1B | 142 BPM | ||
Kyrie Eleison, RV. 587: Coro "Kyrie eleison" I | Antonio Vivaldi, Les Arts Florissants, Paul Agnew | B Minor | 1 | 10A | 75 BPM | ||
Andante in E Minor (pipe organ) | Giovanni Andrea Fioroni, Pastór de Lasala | D♭ Minor | 0 | 12A | 72 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: III. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Missa in D-Dur, KV194: Gloria | Chor und Orchester von St. Augustin, Andreas Pixner, Cornelia Horak, Klemens Sander, Martina Steffl, Alexander Kaimbacher | A Major | 2 | 11B | 90 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | ||
Handel: Messiah, HWV 56, Pt. 3, Scene 4: Chorus. "Amen" | George Frideric Handel, Amsterdam Baroque Orchestra, Ton Koopman, The Sixteen | D♭ Major | 2 | 3B | 122 BPM | ||
Sonata in G Minor, No. 5: II. Vivace | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | F♯ Minor | 2 | 11A | 100 BPM |