František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek's 'Motetto de S. Joanne Baptista: III. Coro. Alleluia' came out on November 17, 2023. With Motetto de S. Joanne Baptista: III. Coro. Alleluia being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 19 in Frantisek Tuma (Motets, Dixit Dominus, Sinfonia) by František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Motetto de S. Joanne Baptista: III. Coro. Alleluia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Motetto de S. Joanne Baptista: III. Coro. Alleluia by František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite messe solennelle: X. Gloria. Cum Sancto Spiritu | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Francesco Corti, Cristiano Gaudio, Deniel Perer | E Minor | 0 | 9A | 68 BPM | ||
Hail! bright Cecilia!: Hail! bright Cecilia!: V. Soul of the World! | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent | D♭ Major | 1 | 3B | 73 BPM | ||
Te Deum "de Lyon": VII. Tu rex gloriæ, Christe | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Eugénie Lefebvre | B♭ Major | 4 | 6B | 106 BPM | ||
Missa Paschalis, ZWV 7: Gloria. Qui tollis | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
Der Herr ist König, TWV 8:6: II. No. 5, Chorus: Die Töchter Zion sind fröhlich | Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan | E♭ Minor | 2 | 2A | 74 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 2. Hosanna | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 110 BPM | ||
The Pacified Aeolus, BWV 205: Chor "Vivat! August, August Vivat!" | Johann Sebastian Bach, Akademie für Alte Musik Berlin, Andreas Scholl, RIAS Kammerchor, René Jacobs | E Major | 2 | 12B | 152 BPM | ||
Missa Paschalis, ZWV 7: Gloria. Gloria in excelsis Deo | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Minor | 1 | 12A | 87 BPM | ||
Stabat Mater | Andreas Scholl | F Major | 1 | 7B | 85 BPM | ||
Stabat Mater, P. 77: V. Quis est homo | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM |