Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam made "Stabat Mater, P. 77: V. Quis est homo" available on March 29, 2024. The duration of Stabat Mater, P. 77: V. Quis est homo is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Stabat Mater, P. 77: V. Quis est homo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Pergolesi: Stabat Mater - Vivaldi: Nisi Dominus". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Stabat Mater, P. 77: V. Quis est homo is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Stabat Mater, P. 77: V. Quis est homo by Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam having a テンポ of 101 with a half-time of 50 テンポ and a double-time of 202 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Sancti Spiritus, ZWV 4: Kyrie eleison II | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | ||
Pergolesi: Stabat Mater in F Minor, P. 77: IX. Sancta Mater, istud agas (Soprano, Alto) | Giovanni Battista Pergolesi, Il Seminario Musicale - Véronique Gens - Gérard Lesne | D♭ Major | 1 | 3B | 70 BPM | ||
Buxtehude: In dulci jubilo, BuxWV 52 | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Monika Frimmer, Peter Kooij, Amsterdam Baroque Orchestra | E Major | 0 | 12B | 75 BPM | ||
Dors, mon enfant, WWV 53 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
Te Deum: V. Tu rex gloriae Christe | Giovanni Bononcini, Owen Rees, Rowan Pierce, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 4: Air. Le printemps seul nous procure (Clarice) | Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | D Major | 7 | 10B | 92 BPM | ||
Beatus vir qui timet in F Major: II. Exortum est | Leonardo Leo, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | E Major | 0 | 12B | 66 BPM | ||
Nisi Dominus, HWV 238: I. Nisi Dominus | George Frideric Handel, Johanna Winkel, Viktoria Wilson, Alex Potter, Hugo Hymas, Andreas Wolf, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Biber: Requiem a 15 in A Major: IV. Offertorium | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 82 BPM | ||
Requiem in E-Flat Minor: I. Requiem et Kyrie | Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Singapore Symphony Chorus & Youth Choir, Olga Peretyatko, Olesya Petrova, Boris Stepanov, Christoph Seidl | F♯ Major | 1 | 2B | 89 BPM |