Johann Pachelbel, Dieter Glös's 'Allein zu dir, Herr Jesu Christ' came out on January 1, 1994. The duration of Allein zu dir, Herr Jesu Christ is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Allein zu dir, Herr Jesu Christ's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Organ Recital: Glos, Dieter - Bruhns, N. / Pachelbel, J. / Bach, J.S. / Dandrieu, J.-F. / Daquin, L.-C. (Angermunde, Wagner-Orgel)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Allein zu dir, Herr Jesu Christ is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Allein zu dir, Herr Jesu Christ by Johann Pachelbel, Dieter Glös having a テンポ of 62 with a half-time of 31 テンポ and a double-time of 124 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sortie in G Minor | Louis James Alfred Lefébure-Wély, Daniel Roth | F Major | 4 | 7B | 78 BPM | ||
Kinderszenen (Scenes of childhood), Op. 15: VII. Traumerei (Dreaming) (arr. for organ) | Robert Schumann, Janos Sebestyen | F Major | 0 | 7B | 70 BPM | ||
Handel: Organ Concerto in B-Flat Major, Op. 7 No. 1, HWV 306: I. Andante | George Frideric Handel, Ton Koopman, Amsterdam Baroque Orchestra | F♯ Minor | 1 | 11A | 127 BPM | ||
Lux et origo | Steven Sérpa, Ekaterina Nikolaeva | A Major | 0 | 11B | 65 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Handel: Concerto grosso in G Major, Op. 3 No. 3, HWV 314: III. Adagio | George Frideric Handel, Jean-Pierre Rampal, Huguette Fernandez, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | G Major | 1 | 9B | 77 BPM | ||
Corrant | Sergeant Major Kennedy, Matthias Janz | C Major | 1 | 8B | 121 BPM | ||
No Heathen | Marc Ezenge | F Minor | 1 | 4A | 154 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Suite in A Minor: V. La Piemontoise | Louis Couperin, Laurence Cummings | A♭ Minor | 3 | 1A | 71 BPM |