ラケル・ロサレス(ソプラノ), ブルガリア国立放送交響楽団, ヨハン・ランドー(指揮) made "歌劇「魔笛」/復讐の心は地獄のように胸に燃え(モーツァルト)" available on March 8, 2017. The duration of 歌劇「魔笛」/復讐の心は地獄のように胸に燃え(モーツァルト) is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. 歌劇「魔笛」/復讐の心は地獄のように胸に燃え(モーツァルト)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in こどもクラシック:歌うの 大好き!, so we believe that "歌劇「魔笛」/復讐の心は地獄のように胸に燃え(モーツァルト)" is a single. Based on our statistics, 歌劇「魔笛」/復讐の心は地獄のように胸に燃え(モーツァルト)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of 歌劇「魔笛」/復讐の心は地獄のように胸に燃え(モーツァルト) by ラケル・ロサレス(ソプラノ), ブルガリア国立放送交響楽団, ヨハン・ランドー(指揮) is Allegro (fast, quick, and bright), since this song has a tempo of 139 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Sherrill Milnes, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 2 | 3B | 88 BPM | ||
Swan Lake, Op.20, TH.12 / Act 1: No.2 Valse (Corps de Ballet) | Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles Dutoit | A Major | 1 | 11B | 64 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, Anna Netrebko, Rolando Villazón, Boaz Daniel, Bavarian Radio Symphony Orchestra, Bertrand de Billy | G Major | 1 | 9B | 72 BPM | ||
Serse, HWV 40, Act I: Ombra mai fù, "Largo" | George Frideric Handel, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | E♭ Major | 1 | 5B | 153 BPM | ||
La Traviata: Libiamo, ne' lieti calici (Brindisi) | Giuseppe Verdi, Laura Zanini, Vito Susca, Orquesta Sinfonica del Teatro Nacional de Santa Carlos, Lisboa, Alvaro Malta, Alessandro Maddalena, Alfredo Kraus, Franco Ghione, Piero de Palma, Coro del Teatro Nacional de Santa Carlos, Lisboa, Maria Callas | D♭ Major | 2 | 3B | 89 BPM | ||
La Traviata: Prelude to Act I | Bonn Classical Philharmonic | B Major | 0 | 1B | 120 BPM | ||
Griselda / Act 3: Agitata da due venti | Antonio Vivaldi, Cecilia Bartoli, Sonatori de la Gioiosa Marca | B♭ Major | 3 | 6B | 137 BPM | ||
Messa da Requiem - Edited David Rosen: 2a. Dies Irae | Giuseppe Verdi, Anja Harteros, Elina Garanca, Jonas Kaufmann, René Pape, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Daniel Barenboim | D Minor | 0 | 7A | 106 BPM | ||
Puccini: La bohème, Act 2: "Quando me'n vo soletta" (Musetta/Marcellop/Alcindoro/Mimì/Rodolfo/Schaunard/Colline) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Carlo Forti, Carlo Badioli, Franco Ricciardi, Antonino Votto, Eraldo Coda, Anna Moffo, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 132 BPM |