Swan Lake, Op.20, TH.12 / Act 1: No.2 Valse (Corps de Ballet)

Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles Dutoit
Tchaikovsky: Swan Lake
7:29 1992年1月1日
テンポ
64
キー
A Major
キャメロットミュージックキー
11B

リンクを埋め込む

共有

Swan Lake, Op.20, TH.12 / Act 1: No.2 Valse (Corps de Ballet) - Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles Dutoit 情報

音響性
87%
ダンサビリティ
15%
エネルギー
9%
手段性
84%
活気
17%
ラウドネス
70%
話し言葉
4%
価数
7%
人気
ラウドネス
-17.919 dB

まとめ

"Swan Lake, Op.20, TH.12 / Act 1: No.2 Valse (Corps de Ballet)" by Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles Dutoit was released on January 1, 1992. Since Swan Lake, Op.20, TH.12 / Act 1: No.2 Valse (Corps de Ballet) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 30 in the song's album "Tchaikovsky: Swan Lake". In this album, this song's track order is #2. Swan Lake, Op.20, TH.12 / Act 1: No.2 Valse (Corps de Ballet) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Swan Lake, Op.20, TH.12 / Act 1: No.2 Valse (Corps de Ballet) テンポ

With Swan Lake, Op.20, TH.12 / Act 1: No.2 Valse (Corps de Ballet) by Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles Dutoit having a テンポ of 64 with a half-time of 32 テンポ and a double-time of 128 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Swan Lake, Op.20, TH.12 / Act 1: No.2 Valse (Corps de Ballet) キー

This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) by Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso)Antonín Dvořák, Budapest Festival Orchestra, Iván FischerB♭ Major16B60 BPM
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies by Alexander Glazunov, Slovak Radio Symphony OrchestraVremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the PoppiesAlexander Glazunov, Slovak Radio Symphony OrchestraD Major110B100 BPM
Scheherazade, Op. 35: The Young Prince and the Young Princess by Nikolai Rimsky-Korsakov, Sergei Levitin, Mariinsky Orchestra, Valery GergievScheherazade, Op. 35: The Young Prince and the Young PrincessNikolai Rimsky-Korsakov, Sergei Levitin, Mariinsky Orchestra, Valery GergievF Minor14A79 BPM
Swan Lake, Op. 20, Act I No. 10: Scene: Moderato by Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Santtu-Matias RouvaliSwan Lake, Op. 20, Act I No. 10: Scene: ModeratoPyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Santtu-Matias RouvaliE Minor29A82 BPM
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: I. Waltz by Dmitri Shostakovich, Philadelphia Orchestra, Mariss JansonsShostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: I. WaltzDmitri Shostakovich, Philadelphia Orchestra, Mariss JansonsE♭ Major05B81 BPM
Mendelssohn: Piano Trio No. 1 in D Minor, Op. 49, MWV Q29: I. Molto allegro agitato by Felix Mendelssohn, Beaux Arts TrioMendelssohn: Piano Trio No. 1 in D Minor, Op. 49, MWV Q29: I. Molto allegro agitatoFelix Mendelssohn, Beaux Arts TrioB♭ Minor23A172 BPM
Waltz No. 7 in C sharp minor, Op. 64 No. 2 by Frédéric Chopin, Vladimir AshkenazyWaltz No. 7 in C sharp minor, Op. 64 No. 2Frédéric Chopin, Vladimir AshkenazyD♭ Minor012A74 BPM
Symphony No. 3 in G Minor, Op. 36: IV. Finale: Allegro by Louise Farrenc, North German Radio Symphony, Hannover, Johannes GoritzkiSymphony No. 3 in G Minor, Op. 36: IV. Finale: AllegroLouise Farrenc, North German Radio Symphony, Hannover, Johannes GoritzkiG Minor16A126 BPM
The Moldau (From Má Vlast), JB 1:112 - Version 1960 by Bedřich Smetana, Berliner Philharmoniker, Ferenc FricsayThe Moldau (From Má Vlast), JB 1:112 - Version 1960Bedřich Smetana, Berliner Philharmoniker, Ferenc FricsayE Minor29A85 BPM
Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio by Tomaso Albinoni, Anthony Camden, London Virtuosi, John GeorgiadisOboe Concerto in D Minor, Op. 9, No. 2: II. AdagioTomaso Albinoni, Anthony Camden, London Virtuosi, John GeorgiadisB♭ Major16B75 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records