"La Bohème / Act 1: "O soave fanciulla"" by Giacomo Puccini, Anna Netrebko, Rolando Villazón, Boaz Daniel, Bavarian Radio Symphony Orchestra, Bertrand de Billy was released on January 1, 2008. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 34 in the song's album "Puccini: La Bohème". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. La Bohème / Act 1: "O soave fanciulla" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème / Act 1: "O soave fanciulla" by Giacomo Puccini, Anna Netrebko, Rolando Villazón, Boaz Daniel, Bavarian Radio Symphony Orchestra, Bertrand de Billy having a テンポ of 72 with a half-time of 36 テンポ and a double-time of 144 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma / Act 1: Casta Diva [Norma] | Vincenzo Bellini, Renée Fleming, London Voices, London Philharmonic Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 59 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
Donizetti: L'elisir d'amore, Act 1 Scene 1: No. 1b, Cavatina, "Quanto è bella, quanto è cara!" (Nemorino) | Gaetano Donizetti, Rolando Villazón, Marcello Viotti, Munich Radio Orchestra, Muenchner Rundfunkorchester | C Major | 1 | 8B | 171 BPM | ||
La Bohème / Act 1: "Questo Mar Rosso" - Live | Giacomo Puccini, Rolando Villazón, Boaz Daniel, Vitalij Kowaljow, Bavarian Radio Symphony Orchestra, Bertrand de Billy | F Major | 2 | 7B | 92 BPM | ||
Pagliacci / Act 2: "Arlecchin! Colombina!" - "Prendi questo narcotico" | Ruggero Leoncavallo, Mirella Freni, Vincenzo Bello, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 1 | 12B | 124 BPM | ||
Carmen: La fleur que tu m'avais jetée | Georges Bizet, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | D♭ Major | 1 | 3B | 109 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
Carmen, Act II: No.12 Chanson Bohème : Les tringles des sistres tintaient avec un éclat métallique (Carmen/Frasquita/Mercédès) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 2 | 8B | 137 BPM | ||
Sorozábal: La tabernera del puerto, Act II No. 9, Romanza: No puede ser! | Pablo Sorozábal, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid | F♯ Major | 2 | 2B | 112 BPM | ||
Songs my mother taught me | Antonín Dvořák, Anna Netrebko | F♯ Minor | 5 | 11A | 89 BPM |