Serenade for Tenor, Horn & Strings, Op. 31: Epilogue

Benjamin Britten, Sir Peter Pears, Dennis Brain, The New Symphony Orchestra Of London, Eugene Goossens
Britten: Serenade for Tenor, Horn & Strings, Winter Words, Seven Sonnets of Michelangelo
1:33 2011年2月7日
テンポ
68
キー
F Major
キャメロットミュージックキー
7B

リンクを埋め込む

共有

Serenade for Tenor, Horn & Strings, Op. 31: Epilogue - Benjamin Britten, Sir Peter Pears, Dennis Brain, The New Symphony Orchestra Of London, Eugene Goossens 情報

音響性
100%
ダンサビリティ
20%
エネルギー
0%
手段性
47%
活気
8%
ラウドネス
38%
話し言葉
4%
価数
15%
人気
ラウドネス
-36.96 dB

まとめ

"Serenade for Tenor, Horn & Strings, Op. 31: Epilogue" by Benjamin Britten, Sir Peter Pears, Dennis Brain, The New Symphony Orchestra Of London, Eugene Goossens was released on February 7, 2011. With Serenade for Tenor, Horn & Strings, Op. 31: Epilogue being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 23 in Britten: Serenade for Tenor, Horn & Strings, Winter Words, Seven Sonnets of Michelangelo by Benjamin Britten, Sir Peter Pears, Dennis Brain, The New Symphony Orchestra Of London, Eugene Goossens. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Serenade for Tenor, Horn & Strings, Op. 31: Epilogue is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Serenade for Tenor, Horn & Strings, Op. 31: Epilogue テンポ

The tempo marking of Serenade for Tenor, Horn & Strings, Op. 31: Epilogue by Benjamin Britten, Sir Peter Pears, Dennis Brain, The New Symphony Orchestra Of London, Eugene Goossens is Adagio (slowly with great expression), since this song has a tempo of 68 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Serenade for Tenor, Horn & Strings, Op. 31: Epilogue キー

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
A Midsummer Night's Dream / Act 2: A Midsummer Night's Dream, Act 2: A Midsummer Night's Dream / Act 2: A Midsummer Night's Dream, Act 2: "On The Ground, Sleep Sound"Benjamin Britten, Choir Of Downside School, Purley, Wandsworth School Boys Choir, London Symphony OrchestraF Minor04A176 BPM
War Requiem, Op. 66: xix. Sanctus - Sanctus by Benjamin Britten, Gianandrea Noseda, Sabina Cvilak, Choir of Eltham College, London Symphony Chorus, London Symphony OrchestraWar Requiem, Op. 66: xix. Sanctus - SanctusBenjamin Britten, Gianandrea Noseda, Sabina Cvilak, Choir of Eltham College, London Symphony Chorus, London Symphony OrchestraF♯ Minor111A174 BPM
Petrouchka / Tableau I: Fête populaire de la semaine grasse by Igor Stravinsky, Cleveland Orchestra, Pierre BoulezPetrouchka / Tableau I: Fête populaire de la semaine grasseIgor Stravinsky, Cleveland Orchestra, Pierre BoulezD Minor27A116 BPM
Debussy: Petite suite, CD 71, L. 65: IV. Ballet (Orch. Büsser) by Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François PaillardDebussy: Petite suite, CD 71, L. 65: IV. Ballet (Orch. Büsser)Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François PaillardD Major310B117 BPM
"Pomp and Circumstance," Op.39: March, No.2 In A MinorEdward Elgar, BBC Symphony Orchestra, Leonard BernsteinB Minor210A132 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 1 (Arr. E. Guiraud): III. IntermezzoGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezA♭ Major34B161 BPM
Symphony in F Major, Op. 8, Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brioGustav Holst, Ulster Orchestra, Joann FallettaF Major17B104 BPM
Prince Igor (Knyaz Igor): Overture by Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore KucharPrince Igor (Knyaz Igor): OvertureAlexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore KucharG Minor26A71 BPM
Symphony in E Minor, Op. 32, Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - AndanteAmy Beach, Nashville Symphony Orchestra, Kenneth SchermerhornF Major07B122 BPM
Rejoice in the Lamb, Op. 30: For the Mouse is a creature of great personal valour by Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher RobinsonRejoice in the Lamb, Op. 30: For the Mouse is a creature of great personal valourBenjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher RobinsonB♭ Minor03A133 BPM
ISRC
GBJ2F1110108
レコードレーベル
L-M Records/RCA Records