"Rejoice in the Lamb, Op. 30: For the Mouse is a creature of great personal valour" by Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson was released on May 2, 2000. With Rejoice in the Lamb, Op. 30: For the Mouse is a creature of great personal valour being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 3 out of 22 in Britten: Rejoice in the Lamb / Hymn To St. Cecilia / Missa Brevis, Op. 63 by Benjamin Britten, Choir of St. John's College, Cambridge, Christopher Robinson. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Rejoice in the Lamb, Op. 30: For the Mouse is a creature of great personal valour's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rejoice in the Lamb, Op. 30: For the Mouse is a creature of great personal valour by Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson is Allegro (fast, quick, and bright), since this song has a tempo of 133 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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12 Songs, Op. 33: No. 2. Våren (Arr. for Choir) | Edvard Grieg, Janne Berglund, Silje Aker Johnsen, The Norwegian Soloists' Choir, Grete Pedersen-Helgerod | A Minor | 0 | 8A | 128 BPM | ||
Coronation Te Deum | William Walton, Martin Neary, The Choir Of Westminster Abbey, London Brass, English Chamber Orchestra, Martin Baker | A Major | 1 | 11B | 81 BPM | ||
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
Magnificat in F Major (1) | George Dyson, Hereford Cathedral Choir, Huw Williams, Roy Massey | G Major | 2 | 9B | 169 BPM | ||
Mass No. 2 in G Major, D. 167: IV. Sanctus | Franz Schubert, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | A Major | 3 | 11B | 186 BPM | ||
Requiem: Psalm 121 | Herbert Howells, Conspirare, Craig Hella Johnson | B Minor | 0 | 10A | 65 BPM | ||
Chichester Psalms: II. Psalm 23 / Psalm 2,1-4 - Live | Leonard Bernstein, Wiener Jeunesse-Chor, Israel Philharmonic Orchestra | B♭ Major | 0 | 6B | 109 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones | C Major | 0 | 8B | 78 BPM | ||
Tallis: Remember Not, O Lord God | The Tallis Scholars, Peter Phillips | A♭ Major | 1 | 4B | 75 BPM | ||
Lay a garland on her hearse | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | C Minor | 1 | 5A | 129 BPM |