Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard made "Debussy: Petite suite, CD 71, L. 65: IV. Ballet (Orch. Büsser)" available on January 1, 1969. The duration of Debussy: Petite suite, CD 71, L. 65: IV. Ballet (Orch. Büsser) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Debussy: Petite suite, CD 71, L. 65: IV. Ballet (Orch. Büsser)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 12 in Debussy: Petite suite, Danses pour harpe et orchestre & Épigraphes antiques by Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard. In terms of popularity, Debussy: Petite suite, CD 71, L. 65: IV. Ballet (Orch. Büsser) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Debussy: Petite suite, CD 71, L. 65: IV. Ballet (Orch. Büsser) by Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard is Moderato (at a moderate speed), since this song has a tempo of 117 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes: No. 1. Nuages | Claude Debussy, MDR Leipzig Radio Chorus, Leipzig Radio Symphony Orchestra, Max Pommer | C Major | 0 | 8B | 76 BPM | ||
Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM | ||
On hearing the first Cuckoo in Spring | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 80 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
Keyboard Sonatina In F Major, Op. 36, No. 4: II. Andante Con Espressione | Muzio Clementi, Balazs Szokolay | B♭ Major | 1 | 6B | 132 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM |