"Concerto No. 10 for Oboe in E Minor: II. Allegro" by Robert Woodcock, Ensemble Odyssee had its release date on May 18, 2018. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Concerto No. 10 for Oboe in E Minor: II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Woodcock: Concertos for Recorder & Oboe by Ensemble Odyssee. The song's track number on the album is #14 out of 30 tracks. Based on our data, Switzerland was the country where this track was produced or recorded. Concerto No. 10 for Oboe in E Minor: II. Allegro is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto No. 10 for Oboe in E Minor: II. Allegro by Robert Woodcock, Ensemble Odyssee has a tempo of 64 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Concerto No. 10 for Oboe in E Minor: II. Allegro being at 64 テンポ, the half-time would be 32 テンポ with a double-time of 128 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia Doriclea | Francesco Cavalli, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Sonata Accademica IX, Op.2: Un poco andante et affettuoso | Francesco Maria Veracini, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | F♯ Minor | 3 | 11A | 88 BPM | ||
5 Polonaisen Wq. 190: 3. Polonaise in C major | Carl Philipp Emanuel Bach, Ensemble Eduard Melkus, Eduard Melkus | C Major | 0 | 8B | 78 BPM | ||
Concerto a 5 in E Minor, Op. 5, No. 9: II. Adagio - Presto - Adagio | Tomaso Albinoni, Bela Banfalvi, Budapest Strings, Karoly Botvay | C Major | 3 | 8B | 109 BPM | ||
Suitte en Trio No. 3 in E Minor, Op. 1: I. Prelude | Louis-Antoine Dornel, Musica Barocca | F♯ Major | 0 | 2B | 80 BPM | ||
Sonata No. 7 in F Major: I. Vivace | Leonardo Vinci, Claudio Ferrarini | F Major | 4 | 7B | 105 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: VII. Menuet | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | A Major | 1 | 11B | 122 BPM | ||
Ouverture in C Minor, GWV 413: VII. Sarabande | Christoph Graupner, Main-Barockorchester Frankfurt | F♯ Major | 1 | 2B | 101 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 4: Air lent | Jean-Joseph Cassanéa De Mondonville, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | F Minor | 4 | 4A | 141 BPM | ||
Concerto No. 9 in E Minor: III. Allegro | Robert Woodcock, Peter Holman, The Parley of Instruments, Rachel Brown | E♭ Minor | 1 | 2A | 109 BPM |