Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury's 'Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: VII. Menuet' came out on January 1, 1988. The duration of Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: VII. Menuet is about 3 minutes long, at 3:21. Based on our data, "Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: VII. Menuet" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Telemann: Tafelmusik". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. Based on our statistics, Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: VII. Menuet's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: VII. Menuet by Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury having a テンポ of 122 with a half-time of 61 テンポ and a double-time of 244 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ascanio in Alba, K. 111: Act I Scene 1: Andante grazioso, che ballano le Grazie | Wolfgang Amadeus Mozart, Raphaël Boulay, Michael Chance, Jill Feldman, Rosa Mannion, Howard Milner, Lorna Windsor, Paris Sorbonne University Choir, Concerto Armonico, Jacques Grimbert | D♭ Major | 0 | 3B | 180 BPM | ||
Violin Sonata in G Major, Op. 2 No. 5: IV. Gigue. Allegro assai | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | A♭ Minor | 1 | 1A | 73 BPM | ||
6 Sonatas, ZWV 181, No. 4 in G Minor: I. Andante | Jan Dismas Zelenka, Paul Dombrecht, Ku Ebbinge, Danny Bond, Richte Van Der Meer, Robert Kohnen | D♭ Major | 1 | 3B | 108 BPM | ||
Concerto in E Major: III. Siciliano | Carl Heinrich Graun, Fréderick Franssen, Members of the Netherlands Radio Philharmonic Orchestra | E♭ Major | 3 | 5B | 100 BPM | ||
Trio Sonata in G Major, G01: II. Allegro Assai | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | D♭ Major | 1 | 3B | 111 BPM | ||
Concerto in D Major for Trumpet, 2 Oboes, Strings and B.C. - MWV 6.32: III. Allegro | Johann Melchior Molter, Andre Schoch, Stuttgart Chamber Orchestra | D Major | 3 | 10B | 122 BPM | ||
Introduzione teatrale op. 4 no. 2: Allegro | Pietro Locatelli, Amsterdam Baroque Orchestra, Ton Koopman | B Major | 1 | 1B | 81 BPM | ||
Sonata Sexta in F Minor for Violin: II. Allegro | Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot, Stephan Dudermel | B♭ Minor | 0 | 3A | 135 BPM | ||
Chamber Sonata No. 4 in G Minor: IV. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 2 | 11A | 121 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: VII. Courante | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM |