Jean-Joseph Cassanéa De Mondonville, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko made "Le Carnaval du Parnasse, Prologue Scene 4: Air lent" available on April 12, 2024. With Le Carnaval du Parnasse, Prologue Scene 4: Air lent being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Joseph Cassanéa De Mondonville, Alexis Kossenko, Hélène Guilmette, Mathias Vidal, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Gwendoline Blondeel's "Mondonville: Le Carnaval du Parnasse" album is number 12 out of 77. Based on our statistics, Le Carnaval du Parnasse, Prologue Scene 4: Air lent's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Le Carnaval du Parnasse, Prologue Scene 4: Air lent by Jean-Joseph Cassanéa De Mondonville, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko to be Allegro (fast, quick, and bright) because the track has a tempo of 141 テンポ, a half-time of 70テンポ, and a double-time of 282 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture pour deux violons et basse continue in A Major, Op. 13 No. 3: III. Largo | Jean-Marie Leclair, Patrick Cohën-Akenine, Les Folies Françoises | F♯ Minor | 2 | 11A | 115 BPM | ||
Deuxième Suite: Recueil de différents airs de symphonie de M. Francœur: Air vif (II) | François Francoeur, Alexis Kossenko, Les Ambassadeurs ~ La Grande Écurie | F♯ Minor | 4 | 11A | 137 BPM | ||
Quatrième Suite: La Rosière: Air tendre | François Francoeur, Alexis Kossenko, Les Ambassadeurs ~ La Grande Écurie | D♭ Major | 2 | 3B | 148 BPM | ||
Trio Sonata in B Minor, Op. 3, No. 3: II. Fugue, Gai | Louis-Antoine Dornel, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Symphony in A Major, Brown A4: III. Allegro | Karl von Ordóñez, Toronto Chamber Orchestra, Kevin Mallon | F Major | 0 | 7B | 80 BPM | ||
Symphonie en G Ré Sol Bémol à 3 flûtes ou 3 violons, H. 529 | Marc-Antoine Charpentier, Arte dei Suonatori, Alexis Kossenko | F Minor | 1 | 4A | 111 BPM | ||
Deuxième Suite: Isbé, Première et Deuxième Gavottes | Jean-Joseph Cassanéa De Mondonville, Alexis Kossenko, Les Ambassadeurs ~ La Grande Écurie | D♭ Major | 2 | 3B | 148 BPM | ||
Sonate No.3 (Six Sonates en symphonies op. 3): 2. Aria: Moderato gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | A Major | 0 | 11B | 134 BPM |