Teresa Berganza's 'Adiós a la Bohemia (Recuerdas Aquella Tarde)' came out on September 30, 2014. The duration of Adiós a la Bohemia (Recuerdas Aquella Tarde) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Adiós a la Bohemia (Recuerdas Aquella Tarde)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Romanzas y Dúos de Zarzuelas". In this album, this song's track order is #5. In terms of popularity, Adiós a la Bohemia (Recuerdas Aquella Tarde) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Adiós a la Bohemia (Recuerdas Aquella Tarde) by Teresa Berganza having a テンポ of 101 with a half-time of 50 テンポ and a double-time of 202 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'italiana in Algeri / Act 1: "Cruda sorte! Amor tiranno!" | Gioachino Rossini, Teresa Berganza, London Symphony Orchestra, Sir Alexander Gibson | F♯ Minor | 1 | 11A | 167 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
7 Canciones Populares Españolas: Canción | Teresa Berganza, Juan Antonio Alvares Parejo | G Major | 0 | 9B | 94 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | ||
Luna: 4. Bajo El Cielo De Sevilla | José María Cano, Teresa Berganza, London Symphony Orchestra | F Major | 2 | 7B | 112 BPM | ||
Stabat Mater: 10. Amen | Gioachino Rossini, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio | G Minor | 3 | 6A | 131 BPM | ||
Dolente immagine di Fille mia | Vincenzo Bellini, Cecilia Bartoli, James Levine | E Minor | 0 | 9A | 82 BPM | ||
Il barbiere di Siviglia / Act 2: No.11 Aria: "Contro un cor che accende amore" | Gioachino Rossini, Teresa Berganza, Luigi Alva, London Symphony Orchestra, Claudio Abbado | D Major | 1 | 10B | 103 BPM | ||
4 Canciones españolas: No. 3, Nana | Felix Lavilla, Teresa Berganza | A Minor | 2 | 8A | 139 BPM |