Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin's 'Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum"' came out on January 1, 1994. With this song being about 5 minutes long, at 4:58, "Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum"" by Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 12 in Bel Canto Arias by Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" by Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin is Allegro (fast, quick, and bright), since this song has a tempo of 148 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Prokofiev: Piano Concerto No. 3 in C Major, Op. 26: I. Andante - Allegro | Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra | C Major | 2 | 8B | 137 BPM | ||
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimi) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Major | 0 | 10B | 91 BPM | ||
Artist's Life - Waltz Op. 316 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 98 BPM | ||
Ya pamniu val'sa zvuk prelestniy (I Remember the Charming Sound of the Waltz) (arr. for baritone and orchestra) | Nikolai Listov, Evgeny Stetsyuk, Dmitri Hvorostovsky, Style of Five, Moscow Chamber Orchestra, Constantine Orbelian | D♭ Minor | 1 | 12A | 120 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Царская невеста: "С ума нейдет красавица" (Речитатив и ария Грязного) | Римский-Корсаков Николай Андреевич, English Chamber Orchestra, Патрик Саммерс, Dmitri Hvorostovsky | C Minor | 0 | 5A | 82 BPM | ||
Rossini : La Cenerentola : Act 2 "Della Fortuna instabile" [Chorus] | Gioachino Rossini, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden | A Major | 2 | 11B | 128 BPM | ||
Carmen: Act II: Toreador Song: Votre toast, je peux vous le rendre | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | F Minor | 4 | 4A | 115 BPM |