"Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimi)" by Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra was released on 1954. With this song being about 5 minutes long, at 4:49, "Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimi)" by Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 11 in Callas sings Operatic Arias by Puccini - Callas Remastered by Giacomo Puccini, Maria Callas. In terms of popularity, Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimi) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimi) by Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra is Andante (at a walking pace), since this song has a tempo of 91 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Verdi: Macbeth, Act 1: "Nel dì della vittoria" - "Vieni t'affretta" (Lady Macbeth, Chorus) | Giuseppe Verdi, Maria Callas, The Philharmonia Chorus, Nicola Rescigno, Philharmonia Orchestra | F♯ Minor | 0 | 11A | 89 BPM | ||
Il trovatore, Act IV Scene 1: No. 12a. Scena, "Vanne, lasciami, né timor di me ti prenda" (Leonora) - Live Recording, Paris, 19 December 1958 | Orchestre de l'Opéra National de Paris, Georges Sebastian, Maria Callas | D♭ Major | 0 | 3B | 91 BPM | ||
Addio del passato : La Traviata | Giuseppe Verdi, Maria Callas | E Major | 4 | 12B | 73 BPM | ||
Puccini: Turandot, Act 2: "In questa Reggia" (Turandot) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Major | 2 | 10B | 81 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
Tristan und Isolde, WWV 90 / Act 3: "Mild und leise wie er lächelt" (Isoldes Liebestod) | Richard Wagner, Jessye Norman, Wiener Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 89 BPM | ||
Lucia di Lammermoor: Act I: Regnava nel silenzio (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Tito Gobbi, Raffaele Arie, Valiano Natali, Anna Maria Canali, Gino Sarri, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | F♯ Major | 1 | 2B | 86 BPM | ||
Ponchielli: La Gioconda, Act 1: "Angele Dei" - Chorus, Barnabotto, Gioconda, Cieca | Amilcare Ponchielli, Bonaldo Giaiotti, Antonino Votto, Coro Del Teatro Alla Scala Di Milano, Irene Companeez, Orchestra Del Teatro Alla Scala, Milano | D♭ Major | 1 | 3B | 84 BPM | ||
Tannhäuser - Paris version / Act III: O du, mein holder Abendstern | Richard Wagner, Andreas Schmidt, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 0 | 9B | 71 BPM | ||
Hahn: 20 Mélodies: No. 20 À Chloris | Philippe Jaroussky | D Major | 0 | 10B | 70 BPM |