Teresa Berganza, Juan Antonio Alvares Parejo made "7 Canciones Populares Españolas: Canción" available on January 1, 1987. With 7 Canciones Populares Españolas: Canción being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Teresa Berganza's "Manuel De Falla: El Corregidor Y La Molinera - 7 Canciones Populares Españolas" album is number 8 out of 9. In terms of popularity, 7 Canciones Populares Españolas: Canción is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of 7 Canciones Populares Españolas: Canción by Teresa Berganza, Juan Antonio Alvares Parejo to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Rosa del Azafrán: "Sagrario y Juan Pedro" | Coros Cantores De Madrid, Teresa Berganza, Manuel Ausensi | B♭ Major | 4 | 6B | 86 BPM | ||
Il barbiere di Siviglia / Act 1: Recitativo: "Ora mi sento meglio" | Gioachino Rossini, Teresa Berganza, Fernando Corena, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 1 | 8B | 129 BPM | ||
Samson et Dalila / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Elena Obraztsova, Plácido Domingo, Orchestre de Paris, Daniel Barenboim | D♭ Major | 2 | 3B | 88 BPM | ||
La Traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Sherrill Milnes, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 2 | 3B | 88 BPM | ||
Debussy: Apparition, CD 57, L. 53 | Claude Debussy, Sabine Devieilhe, Alexandre Tharaud | A♭ Minor | 1 | 1A | 89 BPM | ||
Cäcilie | Richard Strauss, Anna Netrebko | A Major | 2 | 11B | 65 BPM | ||
Les nuits d'été, Op.7: 2. Le spectre de la rose | Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 88 BPM | ||
La Bohème: Act II: Walzer der Musetta: Quando m'en vo soletta | Giacomo Puccini, Diana Damrau, Muenchner Rundfunkorchester, Munich Radio Orchestra | A Major | 2 | 11B | 165 BPM | ||
Kindertotenlieder: No. 3, Wenn dein Mütterlein | Gustav Mahler, Bruno Walter, Wiener Philharmoniker, Kathleen Ferrier | C Minor | 1 | 5A | 96 BPM | ||
Fauré: 2 Mélodies, Op. 1: No. 2, Mai | Gabriel Fauré, Dame Janet Baker, Gerald Moore | D♭ Major | 1 | 3B | 174 BPM |