Scheidt, Choir of New College, Oxford, Edward Higginbottom, Martin Hallows's ' "Puer natus" was released on its scheduled release date, 1989. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Puer natus's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 18 in For Unto Us a Child is Born by Choir of New College, Oxford, Edward Higginbottom. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Puer natus is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Puer natus by Scheidt, Choir of New College, Oxford, Edward Higginbottom, Martin Hallows is Andante (at a walking pace), since this song has a tempo of 94 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in E-Flat Major (Cantus missae), Op.109: IV. Sanctus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 71 BPM | ||
Christe, qui lux es et dies: Christe, qui lux es et dies | William Byrd, Stile Antico | G Minor | 0 | 6A | 86 BPM | ||
Missa pro Quadragesima, MH 551: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 1 | 9B | 82 BPM | ||
The Day Thou Gavest Lord Is Ended | BBC Radio 4 Daily Service Singers | G Major | 1 | 9B | 91 BPM | ||
Musikalische Exequien, Op. 7, SWV 279-281: III. Canticum B. Simeonis "Herr, nun lässest Du Deinen Diener" | Heinrich Schütz, La Chapelle Royale, Philippe Herreweghe | G Minor | 1 | 6A | 78 BPM | ||
Ha di serp'il velen, di tigr'il morso | Sigismondo D'India, Consort Of Musicke, Anthony Rooley | A Minor | 6 | 8A | 100 BPM | ||
Ay, mi Dios | Pedro de Cristo, Coro de Câmara de Lisboa, Teresita Gutierrez Marques | B Minor | 7 | 10A | 97 BPM | ||
Stabat Mater: Fac me vere tecum flere…. Juxta Crucem | Agostino Steffani, Coro della Radiotelevisione Svizzera, Daniel Behle, I Barocchisti, Diego Fasolis | B♭ Major | 2 | 6B | 170 BPM | ||
O Mors Illa | Girolamo Frescobaldi, Adrian Lucas, George Guest | G Minor | 1 | 6A | 81 BPM | ||
Requiem Aranea | Yoshihisa Hirano | C Major | 3 | 8B | 106 BPM |