"Stabat Mater: Fac me vere tecum flere…. Juxta Crucem" by Agostino Steffani, Coro della Radiotelevisione Svizzera, Daniel Behle, I Barocchisti, Diego Fasolis had its release date on January 1, 2013. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Stabat Mater: Fac me vere tecum flere…. Juxta Crucem's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Steffani: Stabat Mater". In this album, this song's track order is #7. The popularity of Stabat Mater: Fac me vere tecum flere…. Juxta Crucem is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater: Fac me vere tecum flere…. Juxta Crucem by Agostino Steffani, Coro della Radiotelevisione Svizzera, Daniel Behle, I Barocchisti, Diego Fasolis having a テンポ of 170 with a half-time of 85 テンポ and a double-time of 340 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantate BWV 85 "Ich Bin Ein Guter Hirt": II. Aria | Johann Sebastian Bach, Christophe Coin, Ensemble Baroque De Limoges, Concerto Vocale De Leipzig, Gotthold Schwarz, Andreas Scholl | F♯ Minor | 0 | 11A | 81 BPM | ||
Jephte: Plorate filii Israel plorate | Giacomo Carissimi, Alexander Weimann, Les Voix Baroques | D♭ Major | 2 | 3B | 120 BPM | ||
Credo RV 592 Crucifixus | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Marie-Nicole Lemieux, Philippe Jaroussky | E Minor | 1 | 9A | 169 BPM | ||
Stabat Mater: Stabat Mater Dolorosa | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | B Major | 0 | 1B | 64 BPM | ||
Tassilone: "Padre, s'e colpa in lui" | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | B♭ Minor | 1 | 3A | 99 BPM | ||
King Arthur, or The British Worthy (1691) / Act 5: Fairest Isle | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E♭ Major | 1 | 5B | 94 BPM | ||
Petite messe solennelle: O salutaris Hostia | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Julia Lezhneva | G Major | 1 | 9B | 91 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
I fratelli riconosciuti: Ciel nemico - Attalo | Giovanni Maria Capelli, Philippe Jaroussky, Emmanuelle Haïm, Le Concert d'Astrée | B Major | 0 | 1B | 103 BPM | ||
Stabat Mater (Hob. XXbis) 1767: I. Stabat Mater Dolorosa | Joseph Haydn, Anthony Rolfe Johnson, The English Concert, Trevor Pinnock, The English Concert Choir | B Minor | 1 | 10A | 135 BPM |