Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi's ' "Missa pro Quadragesima, MH 551: Agnus Dei" was released on its scheduled release date, July 15, 2014. With This song being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michael Haydn, Purcell Choir, Gyorgy Vashegyi's "Haydn, M.: Masses" album is number 13 out of 28. On top of that, Hungary appears to be the country where this track was created. Missa pro Quadragesima, MH 551: Agnus Dei is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Missa pro Quadragesima, MH 551: Agnus Dei by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Sancti Pauli: No. 3, Kyrie eleison II | Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D Minor | 3 | 7A | 121 BPM | ||
Missa Tempore Quadragesimae, MH 553: Credo: Et incarnatus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | D♭ Minor | 1 | 12A | 89 BPM | ||
In nomine Iesu: Adoramus te | Loyset Compère, Odhecaton, Paolo da Col | C Major | 1 | 8B | 70 BPM | ||
Kyrie: III. Kyrie | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Castor et Pollux (1737 Version): Que tout gémisse | Jean-Philippe Rameau, Orfeo Orchestra, Purcell Choir, Gyorgy Vashegyi | B Major | 4 | 1B | 173 BPM | ||
Introitus: II. Te decet hymnus Deus in Sion | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | F Minor | 1 | 4A | 81 BPM | ||
Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
Requiem aeternam | Joseph Martin Kraus, Noémi Kiss, Judit Nemeth, Istvan Kovacs, Pal Benko, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 82 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 4. Pie Jesu Domine | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 1 | 10B | 81 BPM | ||
Requiem in B-Flat Major, MH 838: XV. Cum Sanctis tuis | Michael Haydn, Saarbrucken Chamber Choir, Kammerphilharmonie Mannheim, Georg Grun | F♯ Minor | 0 | 11A | 69 BPM |