Sigismondo D'India, Consort Of Musicke, Anthony Rooley made "Ha di serp'il velen, di tigr'il morso" available on September 3, 2018. The duration of Ha di serp'il velen, di tigr'il morso is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Ha di serp'il velen, di tigr'il morso's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 14 in D'India: Il primo libro de madrigali, 1607 by Sigismondo D'India, Consort Of Musicke, Anthony Rooley. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Ha di serp'il velen, di tigr'il morso is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Ha di serp'il velen, di tigr'il morso by Sigismondo D'India, Consort Of Musicke, Anthony Rooley is Andante (at a walking pace), since this song has a tempo of 100 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
And There Was War in Heaven | Howard Skempton, The Gesualdo Six, Owain Park | F Major | 1 | 7B | 128 BPM | ||
Missa "Mater Patris": Mater Patris et fil | Josquin des Prez, Antoine Brumel, Jerycho, Bartosz Izbicki | E Major | 2 | 12B | 66 BPM | ||
St. Matthew Passion, BWV 244: No. 72. Chorale: Wenn ich einmal soll scheiden | Johann Sebastian Bach, Zeger Vandersteene, Istvan Gati, Magda Kalmár, Julia Hamari, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Budapest Boys' Choir of the Primary School of Music, Franz Liszt Chamber Orchestra, Frigyes Sándor | E♭ Major | 1 | 5B | 99 BPM | ||
Dialogo della rosa | Sigismondo D'India, Julie Roset, Mariana Flores, Cappella Mediterranea, Leonardo García-Alarcón | G Minor | 1 | 6A | 125 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Spirit of God | Komitas, Latvian Radio Choir, Sigvards Kļava | A Major | 1 | 11B | 177 BPM | ||
Like a Darling: No. 2, Someone Not There Now | Steven Serpa, Jessica Bush, Chorosynthesis Singers, Jeremiah Selvey | B♭ Minor | 0 | 3A | 78 BPM | ||
Inhale | Caroline Shaw, Ars Nova Copenhagen, Paul Hillier | E Minor | 1 | 9A | 75 BPM | ||
Palestrina: Assumpta Est Maria in Caelum - 1. Assumpta Est Maria in Caelum | The Tallis Scholars, Peter Phillips | F♯ Minor | 2 | 11A | 78 BPM | ||
Missa Sanctae Crucis, MH 56: Credo | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | B Major | 1 | 1B | 169 BPM |