Kurt Weill, Mariss Jansons, Cochran, Berliner Philharmoniker's 'Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 5 Molto vivace' had a release date set for September 7, 2009. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 5 Molto vivace's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: Symphony No.2, Seven Deadly Sins etc. by Kurt Weill, Various Artists. The song's track number on the album is #14 out of 38 tracks. In terms of popularity, Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 5 Molto vivace is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 5 Molto vivace by Kurt Weill, Mariss Jansons, Cochran, Berliner Philharmoniker has a tempo of 105 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 5 Molto vivace being at 105 テンポ, the half-time would be 52 テンポ with a double-time of 210 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jalousie – Tango Tsigane | Jacob Gade, Con Sordino | D Major | 1 | 10B | 143 BPM | ||
Pequeña Czarda (Arr. Harle) | Pedro Iturralde, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | C Minor | 4 | 5A | 92 BPM | ||
Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Waltzer (Abschied) | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | C Minor | 0 | 5A | 168 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
The Salley Gardens | Benjamin Britten, The Elizabethan Singers, Wilfrid Parry, Louis Halsey | F♯ Major | 1 | 2B | 68 BPM | ||
Erbarme dich, mein Gott (From the St. Matthew Passion) | Johann Sebastian Bach, Eugen Cicero | E Minor | 3 | 9A | 136 BPM | ||
Serenade to Youth | Haydn Wood, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 1 | 10B | 121 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto (Excerpt) | Johannes Brahms, Nikolaus Harnoncourt, Berliner Philharmoniker | C Minor | 0 | 5A | 175 BPM | ||
Scaramouche Suite: 3. Brazileira | Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | F Major | 4 | 7B | 92 BPM |