On September 7, 2018, the song "Scaramouche Suite: 3. Brazileira" was released by Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca. The duration of Scaramouche Suite: 3. Brazileira is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Scaramouche Suite: 3. Brazileira's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Milhaud: Scaramouche: 3. Brazileira and no other songs are present in the album, we classify this track as a single. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Scaramouche Suite: 3. Brazileira is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Scaramouche Suite: 3. Brazileira by Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quintet in G Minor: III. Moderate tempo (Tempo moderato) - Allegro vivace - Lento con gran'espressione | Arnold Bax, Ashley Wass, Tippett Quartet | G Major | 1 | 9B | 125 BPM | ||
String Quartet No. 1 in E-Flat Major, Op. 12, MWV R25: I. Adagio non troppo - Allegro non tardante | Felix Mendelssohn, Tippett Quartet | D Minor | 6 | 7A | 132 BPM | ||
In the Wee Small Hours of the Morning | Matt Ford, Tippett Quartet, The Matt Skelton Quintet | B Major | 1 | 1B | 106 BPM | ||
Sing, sing, sing (with a swing) | Louis Prima, Pierre Génisson, BBC Concert Orchestra, Keith Lockhart | A Minor | 6 | 8A | 107 BPM | ||
Spring Fly - Theme from Kevadine kärbes | Lepo Sumera, Misha Mullov-Abbado, Viktoria Mullova | G Minor | 2 | 6A | 85 BPM | ||
The Girl from Marseille, Op. 17: V. Variation V. (Allegro) | Steve Elcock, Tippett Quartet | D Minor | 3 | 7A | 116 BPM | ||
Scaramouche, Op. 165: III. Brazileira | Darius Milhaud, Ludmila Peterková, Irina Kondratenko | C Major | 2 | 8B | 175 BPM | ||
Solitude (Arr. for Strings) | Duke Ellington, Neeme Järvi, Detroit Symphony Orchestra | E♭ Major | 0 | 5B | 94 BPM | ||
Rota / Arr. Capelletti & Lenaerts: The Godfather Suite | Nino Rota, Anneleen Lenaerts, Adrien Perruchon, Brussels Philharmonic | C Minor | 1 | 5A | 76 BPM | ||
String Quartet in G Major, Op. 23: II. Pastorale Allegretto Teneramente | Donald Francis Tovey, Tippett Quartet | D Major | 1 | 10B | 179 BPM |