Claudio Monteverdi, Emmanuelle Haïm's 'Monteverdi: L'Orfeo, favola in musica, SV 318, Prologue: "Io la Musica son" (La Musica)' came out on 2004. With Monteverdi: L'Orfeo, favola in musica, SV 318, Prologue: "Io la Musica son" (La Musica) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Claudio Monteverdi, Emmanuelle Haïm's "Monteverdi: L'Orfeo" album is number 5 out of 80. On top of that, United Kingdom appears to be the country where this track was created. Monteverdi: L'Orfeo, favola in musica, SV 318, Prologue: "Io la Musica son" (La Musica) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Monteverdi: L'Orfeo, favola in musica, SV 318, Prologue: "Io la Musica son" (La Musica) by Claudio Monteverdi, Emmanuelle Haïm to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares | John Dowland, Fretwork | F Minor | 0 | 4A | 101 BPM | ||
Pergolesi: Confitebor: VII. Sicut erat | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | B Major | 3 | 1B | 69 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
Madrigals, Book 9: Sì, sì, ch'io v'amo, SV 176 | Claudio Monteverdi, Le Nuove Músiche, Krijn Koetsveld, Falco van Loon, Joao Moreiro, Bas Ramselaar | B♭ Major | 0 | 6B | 69 BPM | ||
Madrigals, Book 9: Perchè se m'odiavi, SV 175 | Claudio Monteverdi, Le Nuove Músiche, Krijn Koetsveld, Falco van Loon, Joao Moreiro, Bas Ramselaar | A Minor | 2 | 8A | 107 BPM | ||
Magnificat in D Major, BWV 243: VIII. Deposuit potentes | Johann Sebastian Bach, La Chapelle Royale, Howard Crook, Philippe Herreweghe | C Major | 2 | 8B | 84 BPM | ||
In Nomine - "Re la re": In Nomine - "Re la re" | Christopher Tye, The Rose Consort Of Viols, Clare Wilkinson | D♭ Minor | 0 | 12A | 0 BPM | ||
Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson) | Andrea Falconieri, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 3 | 11A | 118 BPM | ||
Madrigali guerrieri: No. 2, Sonnet by Petrarch, Partie I "Hor che'l' ciel e la terra e'l vento tace" | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | A Minor | 0 | 8A | 80 BPM |