Andrea Falconieri, Nathalie Stutzmann, Orfeo 55 made "Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson)" available on October 27, 2017. The duration of Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Quella Fiamma". In this album, this song's track order is #3. In terms of popularity, Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson) by Andrea Falconieri, Nathalie Stutzmann, Orfeo 55 having a テンポ of 118 with a half-time of 59 テンポ and a double-time of 236 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 1/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
Ciaconna | Andrea Falconieri, Capella De La Torre, Katharina Bauml | C Major | 2 | 8B | 94 BPM | ||
Handel: Arianna in Creta, HWV 32, Act 2: Aria. "Son qual stanco pellegrino" (Alceste) | George Frideric Handel, Nathalie Stutzmann, Orfeo 55 | E♭ Minor | 1 | 2A | 78 BPM | ||
Messe in B Minor, BWV 232: No. 9, Qui tollis peccata mundi | Johann Sebastian Bach, Les Musiciens du Louvre, Marc Minkowski, Blandine Staskiewicz, Joanne Lunn, Julia Lezhneva, Lucy Crowe, Nathalie Stutzmann, Terry Wey, Markus Brutscher, Colin Balzer, Christian Immler, Luca Tittoto | F Minor | 1 | 4A | 87 BPM | ||
Gasparini: La fede tradita e vendicata, Act II: "Empia mano" (Ernelinda) | Francesco Gasparini, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 1 | 11A | 104 BPM | ||
Bononcini / Orch Coubier & Delaforge: Griselda, Act 2: "Per la gloria d'adorarvi" (Ernesto) [Orch. Courbier & Delaforge] | Giovanni Bononcini, Nathalie Stutzmann, Orfeo 55 | E Major | 3 | 12B | 146 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
Harp Concerto in E-Flat Major, Op. 74: III. Allegro giocoso | Reinhold Glière, Xavier De Maistre, Nathalie Stutzmann, WDR Sinfonieorchester | E Minor | 0 | 9A | 103 BPM | ||
Passacaille en sol mineur | Francesco Corbetta, Rolf Lislevand | F♯ Minor | 1 | 11A | 89 BPM | ||
Erschallet, ihr Lieder, BWV 172: Aria: O Seelenparadies (Tenor) | Johann Sebastian Bach, Lisa Larsson, Nathalie Stutzmann, Derek Lee Ragin, Christoph Genz, Panajotis Iconomou, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 4 | 3B | 100 BPM |