"Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam"" by Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen was released on April 3, 2020. The duration of Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Niccolò Jommelli, Il Gardellino, Peter Van Heyghen's "Jommelli: Missa pro Defunctis, Libera me & Miserere" album is number 1 out of 50. On top of that, Belgium appears to be the country where this track was created. Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" by Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adamo ed Eva, Part II: Aria. Non so se il mio peccato | Josef Mysliveček, Luciana Mancini, Peter Van Heyghen, Il Gardellino | E Minor | 1 | 9A | 71 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 1. Benedictus qui venit in nomine Domini | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Peter Van Heyghen | B Minor | 1 | 10A | 142 BPM | ||
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | ||
Concerto 4 in F Major, Op. 7: I. Allegro moderato | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 3 | 12A | 95 BPM | ||
Dixit Dominus, HWV 232: 8. De torrente in via bibet | George Frideric Handel, Arleen Auger, Lynne Dawson, Orchestra of Westminster Abbey, Simon Preston | D Major | 4 | 10B | 77 BPM | ||
Requiem, Op. 48: In Paradisum | Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | D Major | 0 | 10B | 78 BPM | ||
Concerto Grosso / Sinfonia in G Minor: V. Aria, presto | Johann Christoph Pez, Les Muffatti, Peter Van Heyghen | D♭ Major | 1 | 3B | 99 BPM | ||
Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | E Minor | 1 | 9A | 80 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Membra Jesu Nostri, BuxWV 75: IV. Ad latus. Surge amica mea | Dietrich Buxtehude, Ensemble Correspondances, Sébastien Daucé | D♭ Minor | 1 | 12A | 74 BPM |