"Requiem, Op. 48: In Paradisum" by Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe was released on 2002. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 10 in Fauré: Requiem by Philippe Herreweghe, Collegium Vocale Gent, La Chapelle Royale. Requiem, Op. 48: In Paradisum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 48: In Paradisum by Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein deutsches Requiem, Op. 45: II. Denn alles Fleisch es ist wie Gras | Johannes Brahms, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | F Major | 1 | 7B | 65 BPM | ||
Ein deutsches Requiem, Op.45: 1. Chor: "Selig sind, die da Leid tragen" | Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | F Major | 0 | 7B | 72 BPM | ||
Requiem, Op. 48: 1. Introitus: Requiem aeternam - Kyrie | Gabriel Fauré, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit | D Minor | 0 | 7A | 99 BPM | ||
Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Patricia Petibon, Bavarian Radio Symphony Orchestra, Daniel Harding | B Major | 0 | 1B | 98 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Paulus: I. Teil: Ouvertüre | Felix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-Élysées | G Major | 2 | 9B | 116 BPM | ||
The Fruit of Silence | Pēteris Vasks, Latvian Radio Choir, Sinfonietta Riga, Sigvards Kļava | E♭ Major | 0 | 5B | 67 BPM | ||
Es ist nun aus mit meinem Leben | Johann Christoph Bach, Julia Doyle, Katherine Fuge, Clare Wilkinson, Nicholas Mulroy, James Gilchrist, Jeremy Budd, Matthew Brook, Peter Harvey, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 1 | 3B | 170 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIj. Magnificat "Sicut locutus est" | Claudio Monteverdi, Philippe Herreweghe, Alexander Schneider, Bart Uvyn, Collegium Vocale Gent | B♭ Minor | 1 | 3A | 82 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, MH 154: Requiem aeternam | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | D Major | 2 | 10B | 107 BPM |