George Frideric Handel, Rosemary Joshua, Atzuko Suzuki, Gerhild Romberger, Kobie Van Rensburg, Simon Pauly, Thomas Hamberger, Harald Hoeren, Christoph Lehmann, Max Hanft, Bavarian Radio Chorus, Concerto Köln, Peter Dijkstra made "Israel in Egypt, HWV 54: Part I: Part I: How is the mighty fall'n! (Chorus)" available on March 30, 2010. With Israel in Egypt, HWV 54: Part I: Part I: How is the mighty fall'n! (Chorus) being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Peter Dijkstra's "Handel: Israel in Egypt" album is number 8 out of 37. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Israel in Egypt, HWV 54: Part I: Part I: How is the mighty fall'n! (Chorus) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Israel in Egypt, HWV 54: Part I: Part I: How is the mighty fall'n! (Chorus) by George Frideric Handel, Rosemary Joshua, Atzuko Suzuki, Gerhild Romberger, Kobie Van Rensburg, Simon Pauly, Thomas Hamberger, Harald Hoeren, Christoph Lehmann, Max Hanft, Bavarian Radio Chorus, Concerto Köln, Peter Dijkstra to be Moderato (at a moderate speed) because the track has a tempo of 111 テンポ, a half-time of 56テンポ, and a double-time of 222 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater in G Minor: V. Vidit suum | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Major | 2 | 1B | 81 BPM | ||
Te deum, LWV 55: IV. Patrem immensae majestatis | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Messe h-Moll, BWV 232: XXI. Credo "Et expecto" | Johann Sebastian Bach, Chor der J. S. Bach-Stiftung, Orchester der J. S. Bach-Stiftung, Rudolf Lutz | B Major | 2 | 1B | 106 BPM | ||
Laudate pueri, HWV 237: V. Quis sicut Dominus | George Frideric Handel, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Mass in B Minor, BWV 232: Kyrie eleison (Chorus) | Johann Sebastian Bach, Bavarian Radio Chorus, Concerto Köln, Peter Dijkstra | B♭ Minor | 1 | 3A | 106 BPM | ||
Stabat Mater a quatro in C Minor: IX. Virgo virginum præclara | Giovanni Bononcini, Rinaldo Alessandrini, Concerto Italiano, Sara Mingardo | E♭ Major | 2 | 5B | 135 BPM | ||
Alcina, HWV 34, Act I: Questo è il cielo di contenti | George Frideric Handel, Les Musiciens du Louvre, Marc Minkowski, Alex Rosen, Anna Bonitatibus, Valerio Contaldo, Elizabeth DeShong, Magdalena Kozená, Erin Morley | B Minor | 2 | 10A | 166 BPM | ||
Biber: Requiem a 15 in A Major: I. Introitus | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 138 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Peter Dijkstra, Bavarian Radio Chorus | C Major | 0 | 8B | 127 BPM | ||
Magnificat, ZWV 108: Magnificat anima mea Dominum | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 1 | 1A | 103 BPM |