Giovanni Bononcini, Rinaldo Alessandrini, Concerto Italiano, Sara Mingardo's 'Stabat Mater a quatro in C Minor: IX. Virgo virginum præclara' came out on August 27, 2012. With Stabat Mater a quatro in C Minor: IX. Virgo virginum præclara being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 28 out of 32 in Bononcini: Messa, Stabat Mater by Giovanni Bononcini, Rinaldo Alessandrini. Based on our statistics, Stabat Mater a quatro in C Minor: IX. Virgo virginum præclara's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stabat Mater a quatro in C Minor: IX. Virgo virginum præclara by Giovanni Bononcini, Rinaldo Alessandrini, Concerto Italiano, Sara Mingardo is Allegro (fast, quick, and bright), since this song has a tempo of 135 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le tenebre vinte (Coro) | Andrea Bernasconi, Dorothee Oberlinger, Ensemble 1700 | F♯ Major | 2 | 2B | 144 BPM | ||
Missa Paschalis, ZWV7: Agnus Dei | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Major | 1 | 3B | 79 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 1. Benedictus qui venit in nomine Domini | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Peter Van Heyghen | B Minor | 1 | 10A | 142 BPM | ||
Messe h-Moll, BWV 232: XXV. Benedictus | Johann Sebastian Bach, Orchester der J. S. Bach-Stiftung, Daniel Johannsen, Rudolf Lutz | B♭ Minor | 0 | 3A | 93 BPM | ||
Les Indes galantes, Troisième Entrée, Scène 7: "Tendre Amour" (Quatuor) | Jean-Philippe Rameau, Sandrine Piau, Jean-Paul Fouchécourt, Noemi Rime, Jérôme Corréas, Les Arts Florissants, William Christie | D♭ Major | 1 | 3B | 82 BPM | ||
Sistite sidera, coeli motus otiamini: No. 7, Et omnis creatura (Soprano) | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla | D♭ Major | 2 | 3B | 69 BPM | ||
La flora: Trombe d'Ausonia | Marc'Antonio Ziani, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A Major | 3 | 11B | 123 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Clavos pedum, plagas duras" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Hanna Bayodi | C Minor | 2 | 5A | 90 BPM | ||
Stabat Mater: III. Quis est home | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Laudate Pueri: II. A solis ortu | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Giles Underwood, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM |