Stabat Mater in G Minor: V. Vidit suum

Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks
Zelenka: Sanctus et Agnus Dei - Tůma: Stabat Mater. Music from 18th Century Prague
1:05 2014年1月31日
テンポ
81
キー
B Major
キャメロットミュージックキー
1B

リンクを埋め込む

共有

Stabat Mater in G Minor: V. Vidit suum - Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks 情報

音響性
87%
ダンサビリティ
26%
エネルギー
16%
手段性
4%
活気
9%
ラウドネス
74%
話し言葉
3%
価数
10%
人気
ラウドネス
-15.304 dB

まとめ

"Stabat Mater in G Minor: V. Vidit suum" by Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks was released on January 31, 2014. With Stabat Mater in G Minor: V. Vidit suum being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zelenka: Sanctus et Agnus Dei - Tůma: Stabat Mater. Music from 18th Century Prague by Vaclav Luks, Collegium 1704, Collegium vocale 1704. The song's track number on the album is #5 out of 27 tracks. Based on our data, Czechia was the country where this track was produced or recorded. Stabat Mater in G Minor: V. Vidit suum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Stabat Mater in G Minor: V. Vidit suum テンポ

Since Stabat Mater in G Minor: V. Vidit suum by Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Stabat Mater in G Minor: V. Vidit suum being at 81 テンポ, the half-time would be 40 テンポ with a double-time of 162 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Stabat Mater in G Minor: V. Vidit suum キー

B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Messiah, HWV 56, Pt. 1: No. 2, Comfort Ye My People (Live) by George Frideric Handel, Krystian Adam, Collegium 1704, Vaclav LuksMessiah, HWV 56, Pt. 1: No. 2, Comfort Ye My People (Live)George Frideric Handel, Krystian Adam, Collegium 1704, Vaclav LuksB♭ Major16B91 BPM
Egisto, Atto III Scena 10: Amanti, se credete by Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, François Joubert-Caillet, Mariana FloresEgisto, Atto III Scena 10: Amanti, se credeteFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, François Joubert-Caillet, Mariana FloresA Major111B109 BPM
Languet anima mea BWV deest 1006: V. Alleluja by Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana BlazikováLanguet anima mea BWV deest 1006: V. AllelujaFrancesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana BlazikováD♭ Minor212A120 BPM
Missa Divi Xaverii, ZWV 12: Quoniam tu solus sanctus by Jan Dismas Zelenka, Hana Blaziková, Lucille Richardot, Václav Čížek, Stephan MacLeod, Collegium 1704, Vaclav LuksMissa Divi Xaverii, ZWV 12: Quoniam tu solus sanctusJan Dismas Zelenka, Hana Blaziková, Lucille Richardot, Václav Čížek, Stephan MacLeod, Collegium 1704, Vaclav LuksD♭ Minor112A107 BPM
Luigi Cherubini: Requiem In C Minor: I. Intritus et Kyrie by Luigi Cherubini, Collegium vocale 1704, Collegium 1704, Vaclav Luks, Simona SaturovaLuigi Cherubini: Requiem In C Minor: I. Intritus et KyrieLuigi Cherubini, Collegium vocale 1704, Collegium 1704, Vaclav Luks, Simona SaturovaG Major19B77 BPM
Die Zeit, TWV 20:23: II. Recitiativ by Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten LohffDie Zeit, TWV 20:23: II. RecitiativGeorg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten LohffE Major112B91 BPM
Te Deum: V. Tu rex gloriae Christe by Giovanni Bononcini, Owen Rees, Rowan Pierce, Academy of Ancient MusicTe Deum: V. Tu rex gloriae ChristeGiovanni Bononcini, Owen Rees, Rowan Pierce, Academy of Ancient MusicB Minor210A71 BPM
Te deum, LWV 55: IX. Quos pretioso sanguine redemisti by Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de VersaillesTe deum, LWV 55: IX. Quos pretioso sanguine redemistiJean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de VersaillesB♭ Major66B94 BPM
Membra Jesu Nostri, BuxWV 75, Ad pectus: Aria Membra Jesu Nostri, BuxWV 75, Ad pectus: Aria "Ave, verum templum Dei"Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias ViewegC Minor25A90 BPM
Wybór z Aktu II: [5] (Basia) by Natalia Rubiś-Krzeszowiak, Collegium vocale 1704, Collegium 1704, Vaclav LuksWybór z Aktu II: [5] (Basia)Natalia Rubiś-Krzeszowiak, Collegium vocale 1704, Collegium 1704, Vaclav LuksG Major29B77 BPM
ISRC
CZA161304269
レコードレーベル
L-M Records/RCA Records