"Stabat Mater in G Minor: V. Vidit suum" by Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks was released on January 31, 2014. With Stabat Mater in G Minor: V. Vidit suum being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zelenka: Sanctus et Agnus Dei - Tůma: Stabat Mater. Music from 18th Century Prague by Vaclav Luks, Collegium 1704, Collegium vocale 1704. The song's track number on the album is #5 out of 27 tracks. Based on our data, Czechia was the country where this track was produced or recorded. Stabat Mater in G Minor: V. Vidit suum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Stabat Mater in G Minor: V. Vidit suum by Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Stabat Mater in G Minor: V. Vidit suum being at 81 テンポ, the half-time would be 40 テンポ with a double-time of 162 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah, HWV 56, Pt. 1: No. 2, Comfort Ye My People (Live) | George Frideric Handel, Krystian Adam, Collegium 1704, Vaclav Luks | B♭ Major | 1 | 6B | 91 BPM | ||
Egisto, Atto III Scena 10: Amanti, se credete | Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, François Joubert-Caillet, Mariana Flores | A Major | 1 | 11B | 109 BPM | ||
Languet anima mea BWV deest 1006: V. Alleluja | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | D♭ Minor | 2 | 12A | 120 BPM | ||
Missa Divi Xaverii, ZWV 12: Quoniam tu solus sanctus | Jan Dismas Zelenka, Hana Blaziková, Lucille Richardot, Václav Čížek, Stephan MacLeod, Collegium 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 107 BPM | ||
Luigi Cherubini: Requiem In C Minor: I. Intritus et Kyrie | Luigi Cherubini, Collegium vocale 1704, Collegium 1704, Vaclav Luks, Simona Saturova | G Major | 1 | 9B | 77 BPM | ||
Die Zeit, TWV 20:23: II. Recitiativ | Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff | E Major | 1 | 12B | 91 BPM | ||
Te Deum: V. Tu rex gloriae Christe | Giovanni Bononcini, Owen Rees, Rowan Pierce, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Te deum, LWV 55: IX. Quos pretioso sanguine redemisti | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pectus: Aria "Ave, verum templum Dei" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Wybór z Aktu II: [5] (Basia) | Natalia Rubiś-Krzeszowiak, Collegium vocale 1704, Collegium 1704, Vaclav Luks | G Major | 2 | 9B | 77 BPM |