Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, François Joubert-Caillet, Mariana Flores's 'Egisto, Atto III Scena 10: Amanti, se credete' came out on September 18, 2015. With Egisto, Atto III Scena 10: Amanti, se credete being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 40 in Cavalli: Heroines of the Venetian Baroque by Francesco Cavalli, Mariana Flores, Anna Reinhold, Cappella Mediterranea, Leonardo García-Alarcón. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, Egisto, Atto III Scena 10: Amanti, se credete is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Egisto, Atto III Scena 10: Amanti, se credete by Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, François Joubert-Caillet, Mariana Flores is Moderato (at a moderate speed), since this song has a tempo of 109 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amantissime Jesu (Sinfonia) | Pascuale Carrozza, Cappella Mediterranea, Leonardo García-Alarcón | B♭ Minor | 0 | 3A | 110 BPM | ||
Philidor: Les Amazones: "Venez, troupe guerrière" - "Puisque tout est tranquille" - "Combattons, courrons à la gloire" (Thalestris, Hippolyte) | Andre Danican Philidor, Lea Desandre, Jupiter, Véronique Gens, Thomas Dunford | C Minor | 3 | 5A | 175 BPM | ||
Handel: Semele, HWV 58, Act 2: "Hence, Iris, Hence Away" (Juno) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies | E Minor | 3 | 9A | 75 BPM | ||
Passacaglia - Lamento d'Apollo | Luigi Rossi, Francesco Cavalli, Nihan Devecioglu, Friederike Heumann, Xavier Diaz-Latorre | D♭ Minor | 0 | 12A | 113 BPM | ||
The Mad Lover Suite: Ground. Aire III | John Eccles, Théotime Langlois de Swarte, Thomas Dunford | E Major | 0 | 12B | 127 BPM | ||
Te deum, LWV 55: VI. Tu, ad liberandum suscepturus hominem | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Sonata Quinta in E Minor: III. Largo | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | B♭ Minor | 0 | 3A | 121 BPM | ||
Il ritorno d'Ulisse in patria: PROLOGUE, "Mortal cosa son io" (L'Umana Fragilità) | Claudio Monteverdi, René Jacobs, Dominique Visse, Michael Schopper, Lorraine Hunt Lieberson, Martina Bovet, Concerto Vocale | A Minor | 1 | 8A | 120 BPM | ||
Dido and Aeneas, Z.626, Act II Scene 1, The Cave: But Ere We This Perform (Two Witches) | Henry Purcell, Les Argonautes, Jonas Descotte, Ana Vieira Leite, Julie Roset | F♯ Major | 1 | 2B | 84 BPM | ||
Te deum, LWV 55: IV. Patrem immensae majestatis | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM |