Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff made "Die Zeit, TWV 20:23: II. Recitiativ" available on February 4, 2022. With Die Zeit, TWV 20:23: II. Recitiativ being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Telemann: Cantatas & Fantasias". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Die Zeit, TWV 20:23: II. Recitiativ is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Die Zeit, TWV 20:23: II. Recitiativ by Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ino, TWV 20:41: Ino, TWV 20:41: No. 2, Aria "Ungöttliche Saturnia" | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Christina Landshamer, Bernhard Forck | B Major | 1 | 1B | 109 BPM | ||
Suite pour traverso et basse continue en Ré Majeur: I. Prélude | Louis de Caix d'Hervelois, La Rêveuse, Serge Saïtta, Florence Bolton, Benjamin Perrot, Carsten Lohff | D♭ Major | 1 | 3B | 57 BPM | ||
Bembo: Habbi pietà di me | Antonia Bembo, Christina Pluhar, L'Arpeggiata, Céline Scheen | E Minor | 1 | 9A | 70 BPM | ||
Drei Laub auf einer Linden: So wünsch ich mir eine gute Nacht | Jobst vom Brandt, Bettina Pahn, Juliane Laake, Joachim Held | E Major | 1 | 12B | 94 BPM | ||
Psalmen Davids: XII. Jauchzet dem Herrn, alle Welt, swv 36 | Heinrich Schütz, Cantus Cölln, Sören Lupold, Konrad Junghanel, Joachim Klier, Imke David, Mieneke van der Velden, Anne Rohrig, Christoph Heidemann, Carsten Lohff | E♭ Minor | 1 | 2A | 74 BPM | ||
Lachrimae | Johann Schop, Rachel Podger, Brecon Baroque | D♭ Minor | 1 | 12A | 119 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Hostias, (a) Hostias et praeces tibi, Domine | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 116 BPM | ||
Pimpinone, TWV 21:15, Pt. 1: Chi mi vuol, son cameriera | Georg Philipp Telemann, Marie-Sophie Pollak, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 139 BPM | ||
Surrexit Christus hodie, BuxWV 99 | Dietrich Buxtehude, Ton Koopman, Bettina Pahn, Amsterdam Baroque Orchestra | G Major | 1 | 9B | 129 BPM | ||
Christ lag in Todesbanden: IVa. Aria "Wir leben nun mit Jesu Christ" | Johann Kuhnau, Paul Agnew, Les Arts Florissants, Miriam Allan | E Major | 1 | 12B | 79 BPM |