"Psalmen Davids: XII. Jauchzet dem Herrn, alle Welt, swv 36" by Heinrich Schütz, Cantus Cölln, Sören Lupold, Konrad Junghanel, Joachim Klier, Imke David, Mieneke van der Velden, Anne Rohrig, Christoph Heidemann, Carsten Lohff was released on 1997. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Heinrich Schütz, Cantus Cölln, Konrad Junghanel's "Heinrich Schutz: Psalmen Davids" album is number 12 out of 26. On top of that, France appears to be the country where this track was created. Psalmen Davids: XII. Jauchzet dem Herrn, alle Welt, swv 36 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Psalmen Davids: XII. Jauchzet dem Herrn, alle Welt, swv 36 by Heinrich Schütz, Cantus Cölln, Sören Lupold, Konrad Junghanel, Joachim Klier, Imke David, Mieneke van der Velden, Anne Rohrig, Christoph Heidemann, Carsten Lohff to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM | ||
Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad genua: Aria "Ut te quaeram mente pura" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Christ lag in Todesbanden: IVc. Aria "Er ist das rechte Osterlamb" | Johann Kuhnau, Paul Agnew, Les Arts Florissants, Thomas Hobbs | E Major | 1 | 12B | 79 BPM | ||
Offertorium: I. Domine Jesu Christe, Rex gloriae | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | C Minor | 1 | 5A | 91 BPM | ||
Mass for unaccompanied double choir: IV. Sanctus | Frank Martin, RIAS Kammerchor, Daniel Reuss | D Major | 1 | 10B | 85 BPM | ||
Matthaus-Passion, SWV 479: Introitus | Heinrich Schütz, Julian Podger, Jakob Bloch Jespersen, Ars Nova Copenhagen, Paul Hillier | C Major | 2 | 8B | 86 BPM | ||
Maria, quid ploras | Claudio Monteverdi, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 80 BPM | ||
Missa in E-Flat Major, Op. 109: I. Kyrie | Josef Rheinberger, Musica Sacra, Indra Hughes | B♭ Major | 2 | 6B | 137 BPM | ||
Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Major | 2 | 4B | 61 BPM |