Jobst vom Brandt, Bettina Pahn, Juliane Laake, Joachim Held made "Drei Laub auf einer Linden: So wünsch ich mir eine gute Nacht" available on 2022. Drei Laub auf einer Linden: So wünsch ich mir eine gute Nacht is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. The track order of this song in Jobst vom Brandt, Bettina Pahn, Joachim Held, Juliane Laake, Jeroen Finke's "Jobst vom Brandt: German Songs of the Renaissance" album is number 6 out of 18. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Drei Laub auf einer Linden: So wünsch ich mir eine gute Nacht is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Drei Laub auf einer Linden: So wünsch ich mir eine gute Nacht by Jobst vom Brandt, Bettina Pahn, Juliane Laake, Joachim Held to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa a quattro voci, SV 190: III. Credo | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Te Deum, H. 146: II. Te Deum laudamus | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jean-Christophe Lanièce | B♭ Major | 4 | 6B | 106 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pectus: Concerto a 3 voci "Sicut modo geniti infantes rationabiles" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Fantaisie | Lorenzini, Le Poème Harmonique, Vincent Dumestre | A Minor | 0 | 8A | 84 BPM | ||
Airs de cour mis en tablature de luth: Si c’est un crime que l’aymer | Antoine Boësset, Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset | B♭ Major | 2 | 6B | 113 BPM | ||
Mein junges Leben hat ein End | Jan Pieter Sweelinck, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 70 BPM | ||
Symphoniae sacrae II, SWV 350: Lobet den Herrn | Heinrich Schütz, David de Winter, Rachel Harris, Kathryn Parry, Tatty Theo, Lynda Sayce, Lisete da Silva Bull, Emily Bannister, Carolyn Gibley | F♯ Major | 3 | 2B | 175 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VII. Courant | Dietrich Becker, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | D♭ Major | 3 | 3B | 81 BPM | ||
Byrd: Miserere a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 90 BPM | ||
Secunda die Lectio prima: VI. Hierusalem convertere ad dominum tuum | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 2 | 2B | 91 BPM |