Dietrich Becker, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton made "Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VII. Courant" available on February 3, 2017. With Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VII. Courant being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 30 in Dietrich Buxtehude: Sonates en trio – Manuscrits d’Uppsala by La Rêveuse, Benjamin Perrot, Florence Bolton, Sébastien Wonner, Emily Audouin. Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VII. Courant is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VII. Courant by Dietrich Becker, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | ||
Fantazia I, Z. 732 | Henry Purcell, John Holloway, Monika Baer, Martin Zeller | D♭ Minor | 1 | 12A | 162 BPM | ||
Suite No. 1 in G Minor: III. Courante | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | B Major | 1 | 1B | 104 BPM | ||
Membra Jesu nostri, BuxWV 75: IIIc. Ad manus: Manus sanctae, vos amplector | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Fuga (Prestissimo) | Nicola Matteis, Gli Incogniti, Amandine Beyer | D♭ Major | 2 | 3B | 136 BPM | ||
Marais: Pièces en trio: Suite No. 1 en do majeur: III. Seconde sarabande | Marin Marais, Ensemble Amalia | B Major | 0 | 1B | 70 BPM | ||
Te deum, LWV 55: VIII. Te ergo quaesumus | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Sonatas and Suites, IDB 8: 3. Sonata in D major | Dietrich Becker, Al Goranski | D Major | 3 | 10B | 145 BPM | ||
Mystery (Rosary) Sonata No. 3 in B Minor, The Nativity: I. Sonata - Presto - Adagio | Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti | B♭ Minor | 1 | 3A | 74 BPM | ||
Sonata and Suite in C Major: Sonata | Dietrich Becker, Parnassi Musici | F♯ Minor | 1 | 11A | 137 BPM |