"Berlioz: Roméo et Juliette, Op. 17, H. 79, Pt. 1: Introduction - Combats, tumulte, intervention du Prince" by Hector Berlioz, Riccardo Muti, Philadelphia Orchestra was released on January 1, 1985. With this song being about 5 minutes long, at 4:38, "Berlioz: Roméo et Juliette, Op. 17, H. 79, Pt. 1: Introduction - Combats, tumulte, intervention du Prince" by Hector Berlioz, Riccardo Muti, Philadelphia Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 18 in Berlioz: Roméo et Juliette by Hector Berlioz, Riccardo Muti, Philadelphia Orchestra. In terms of popularity, Berlioz: Roméo et Juliette, Op. 17, H. 79, Pt. 1: Introduction - Combats, tumulte, intervention du Prince is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berlioz: Roméo et Juliette, Op. 17, H. 79, Pt. 1: Introduction - Combats, tumulte, intervention du Prince by Hector Berlioz, Riccardo Muti, Philadelphia Orchestra is Andante (at a walking pace), since this song has a tempo of 94 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in G Minor, Op. 88, B. 163: I. Allegro con brio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 139 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
L'Arlésienne Suite No.2: Pastorale | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 80 BPM | ||
La Damnation de Faust, Op.24 / Part 2: Air de Méphistophélès. "Voici des roses" | Hector Berlioz, Erwin Schrott, Orquestra de la Comunitat Valenciana, Riccardo Frizza | D Major | 2 | 10B | 73 BPM | ||
L'enfance du Christ, Op. 25: Part I: Herod's Dream - Narrator | Hector Berlioz, Fernand Bernardi, Antoine Garcin, Michèle Lagrange, Michel Piquemal, Jean-Louis Serre, Etienne Vandier, Jean-Luc Viala, Ile de France Vittoria Regional Choir, Orchestre National de Lille, Jean-Claude Casadesus | C Minor | 2 | 5A | 89 BPM | ||
Le nozze di Figaro, K. 492: Overture | Wolfgang Amadeus Mozart, BBC Symphony Orchestra, Sir Colin Davis | D Major | 1 | 10B | 79 BPM | ||
Nocturnes, L. 91: 2. Fêtes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 79 BPM | ||
Symphony No. 41 in C Major, K. 551 'Jupiter': IV. Molto Allegro | Wolfgang Amadeus Mozart, Budapest Festival Orchestra, Iván Fischer | C Major | 3 | 8B | 138 BPM | ||
Berlioz: L'enfance du Christ, Op. 25, H 130, Pt. 3 "L'arrivée à Saïs": "Ô mon âme !" (Récitant, Chœur) | Hector Berlioz, André Cluytens, Choeurs Rene Duclos, Nicolai Gedda, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 2 | 12B | 88 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM |