"La Damnation de Faust, Op.24 / Part 2: Air de Méphistophélès. "Voici des roses"" by Hector Berlioz, Erwin Schrott, Orquestra de la Comunitat Valenciana, Riccardo Frizza was released on January 1, 2008. The duration of La Damnation de Faust, Op.24 / Part 2: Air de Méphistophélès. "Voici des roses" is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. La Damnation de Faust, Op.24 / Part 2: Air de Méphistophélès. "Voici des roses"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 12 in Erwin Schrott - Arias by Mozart, Verdi, Berlioz, Gounod & Meyerbeer by Erwin Schrott, Orquestra de la Comunitat Valenciana, Riccardo Frizza. La Damnation de Faust, Op.24 / Part 2: Air de Méphistophélès. "Voici des roses" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Damnation de Faust, Op.24 / Part 2: Air de Méphistophélès. "Voici des roses" by Hector Berlioz, Erwin Schrott, Orquestra de la Comunitat Valenciana, Riccardo Frizza is Adagio (slowly with great expression), since this song has a tempo of 73 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4: IV. Sehr behaglich | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin, Christiane Karg | E Minor | 1 | 9A | 80 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 5. Spacírka. Poco Adagio - Vivace | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D♭ Major | 4 | 3B | 84 BPM | ||
Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | ||
España - Rhapsody For Orchestra | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 3 | 7B | 129 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: III. Foxtrot | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | G Major | 0 | 9B | 123 BPM | ||
Holberg Suite, Op. 40: I. Prelude (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Major | 1 | 9B | 74 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: I. Allegretto - Allegro vivace | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM |