Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano"

Wolfgang Amadeus Mozart, Kathleen Battle, Samuel Ramey, Berliner Philharmoniker, Herbert von Karajan
Mozart: Don Giovanni
3:27 1986年1月1日
テンポ
87
キー
A Major
キャメロットミュージックキー
11B

リンクを埋め込む

共有

Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" - Wolfgang Amadeus Mozart, Kathleen Battle, Samuel Ramey, Berliner Philharmoniker, Herbert von Karajan 情報

音響性
98%
ダンサビリティ
26%
エネルギー
6%
手段性
3%
活気
29%
ラウドネス
59%
話し言葉
4%
価数
15%
人気
ラウドネス
-24.643 dB

まとめ

"Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano"" by Wolfgang Amadeus Mozart, Kathleen Battle, Samuel Ramey, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1986. The duration of Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" is about 3 minutes long, at 3:27. Based on our data, "Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan's "Mozart: Don Giovanni" album is number 16 out of 66. Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" テンポ

We consider the tempo marking of Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" by Wolfgang Amadeus Mozart, Kathleen Battle, Samuel Ramey, Berliner Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" キー

The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Te Deum, WAB 45: 5. In te, Domine, speravi by Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-GrollTe Deum, WAB 45: 5. In te, Domine, speraviAnton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-GrollC Major28B96 BPM
Khovanshchina / Act 4: Intermezzo by Modest Mussorgsky, Berliner Philharmoniker, Herbert von KarajanKhovanshchina / Act 4: IntermezzoModest Mussorgsky, Berliner Philharmoniker, Herbert von KarajanE♭ Minor12A51 BPM
Die Schöpfung, Hob. XXI:2 / Zweiter Teil: 26. Chor: Die Schöpfung, Hob. XXI:2 / Zweiter Teil: 26. Chor: "Vollendet ist das große Werk" - 27. Terzett: "Zu dir, o Herr" - 28. Chor: "Vollendet ist das große Werk"Franz Joseph Haydn, Gundula Janowitz, Werner Krenn, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener SingvereinE♭ Major35B109 BPM
Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse. Allegro non troppo by Hector Berlioz, Daniel Barenboim, Berliner PhilharmonikerSymphonie fantastique, Op. 14, H. 48: II. Un bal. Valse. Allegro non troppoHector Berlioz, Daniel Barenboim, Berliner PhilharmonikerA Major111B167 BPM
Don Giovanni: Atto Primo, Scena 3: Don Giovanni: Atto Primo, Scena 3: "Fuggi, crudele, fuggi!"Wolfgang Amadeus Mozart, Olga Pasichnyk, Kenneth Tarver, Freiburger Barockorchester, René JacobsF Major27B89 BPM
Symphony No. 4 in A Major, Op. 90, MWV N 16 - Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": II. Andante con motoFelix Mendelssohn, Berliner Philharmoniker, Herbert von KarajanA Minor28A95 BPM
Requiem in D minor, K.626: 6. Benedictus by Wolfgang Amadeus Mozart, Anne Sofie von Otter, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot GardinerRequiem in D minor, K.626: 6. BenedictusWolfgang Amadeus Mozart, Anne Sofie von Otter, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot GardinerB♭ Major16B90 BPM
Don Giovanni, K. 527 / Act 1: Don Giovanni, K. 527 / Act 1: "Or sai chi l'onore"Wolfgang Amadeus Mozart, Suzanne Danco, Anton Dermota, Wiener Philharmoniker, Josef KripsD Major310B125 BPM
Pelléas et Mélisande, (Suite), Op. 46: V. The Three Blind Sisters by Jean Sibelius, Berliner Philharmoniker, Herbert von KarajanPelléas et Mélisande, (Suite), Op. 46: V. The Three Blind SistersJean Sibelius, Berliner Philharmoniker, Herbert von KarajanF Minor04A70 BPM
Tosca / Act 3: Tosca / Act 3: "Come è lunga l'attesta!"Giacomo Puccini, Katia Ricciarelli, Berliner Philharmoniker, Herbert von KarajanA Minor18A71 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records