"Maidan 2014 / Cycle IV: II. Elegy" by Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych was released on September 30, 2022. The duration of Maidan 2014 / Cycle IV: II. Elegy is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Maidan 2014 / Cycle IV: II. Elegy's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Valentin Silvestrov: Maidan by Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych. The song's track number on the album is #12 out of 24 tracks. Based on our data, Germany was the country where this track was produced or recorded. Maidan 2014 / Cycle IV: II. Elegy is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Maidan 2014 / Cycle IV: II. Elegy by Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Maidan 2014 / Cycle IV: II. Elegy being at 77 テンポ, the half-time would be 38 テンポ with a double-time of 154 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
The music key of this track is F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lamentations of Jeremiah I: VI. Jerusalem, Jerusalem | Thomas Tallis, Owain Park, The Gesualdo Six | E♭ Minor | 1 | 2A | 90 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | ||
Bless the Lord, O My Soul | K.Stetsenko, Kiev Chamber Choir | E Minor | 0 | 9A | 136 BPM | ||
Two Spiritual Refrains (2008): Do Not Forsake Me | Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych | A♭ Major | 1 | 4B | 85 BPM | ||
Son of God Mass: Agnus Dei | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | C Minor | 1 | 5A | 70 BPM | ||
Pater noster, omnipotens Deus | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | E Minor | 0 | 9A | 77 BPM | ||
3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | C Minor | 1 | 5A | 86 BPM | ||
Only One Is Holy | Kiev Chamber Choir | F Major | 2 | 7B | 83 BPM | ||
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | ||
Missa "Et ecce terrae motus" A 12 voce: Kyrie: a. Kyrie eleison - Voice | Antoine Brumel, Huelgas Ensemble, Paul Van Nevel | C Major | 3 | 8B | 100 BPM |