"Lamentations of Jeremiah I: VI. Jerusalem, Jerusalem" by Thomas Tallis, Owain Park, The Gesualdo Six was released on March 4, 2022. With Lamentations of Jeremiah I: VI. Jerusalem, Jerusalem being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in The Gesualdo Six, Thomas Tallis, Owain Park, Judith Bingham, Carlo Gesualdo, Joanna Ward's "Gesualdo: Tenebrae Responsories for Maundy Thursday; Tallis: Lamentations" album is number 6 out of 58. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Lamentations of Jeremiah I: VI. Jerusalem, Jerusalem is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lamentations of Jeremiah I: VI. Jerusalem, Jerusalem by Thomas Tallis, Owain Park, The Gesualdo Six to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
Suite Nordestina: III. Bumba chora | Ronaldo Miranda, Cheng Man Wai, Cantoría Hong Kong, John Winzenburg | B♭ Minor | 1 | 3A | 76 BPM | ||
Messa a quattro voci, SV 190: IV. Sanctus | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Lille Almanak – Little Almanac 3 | Finn Mathiassen, Harald Herdal, Jens Peter Jacobsen, Musikstuderendes Kammerkor | G Minor | 0 | 6A | 75 BPM | ||
Tenebrae Responsories for Maundy Thursday: Judas mercator pessimus: a. Respond. Judas mercator pessimus | Carlo Gesualdo, Owain Park, The Gesualdo Six | F Major | 0 | 7B | 116 BPM | ||
Watch with Me | Judith Bingham, Owain Park, The Gesualdo Six | E Minor | 0 | 9A | 71 BPM | ||
Ave, lauderis | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
Miserere: VIII. Libera me de sanguinibus ; Domine labia mea aperies - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 2 | 8B | 81 BPM | ||
Motectorum, Book 3: No. 15, Coelorum candor splenduit | Orfeo Vecchi, Don Denis Silano, Carlo Montalenti, Cappella Musicale Eusebiana | G Major | 1 | 9B | 72 BPM | ||
Missa pro defunctis: I. Introit | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | D Major | 2 | 10B | 129 BPM |