"Taverner: Dum transisset Sabbatum 1 - 3. Alleluia" by John Taverner, Peter Phillips, The Tallis Scholars was released on 2015. With Taverner: Dum transisset Sabbatum 1 - 3. Alleluia being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in John Taverner, Peter Phillips, The Tallis Scholars's "John Taverner - Missa Corona spinea - Dum transisset Sabbatum 1 and 2" album is number 18 out of 18. Taverner: Dum transisset Sabbatum 1 - 3. Alleluia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Taverner: Dum transisset Sabbatum 1 - 3. Alleluia by John Taverner, Peter Phillips, The Tallis Scholars to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
Cancionero musical de palacio: No. 16, A los baños del amor | Anonymous, Música Temprana, Adrian Rodriguez van der Spoel | D Minor | 0 | 7A | 166 BPM | ||
Missa Veni Domine: Id. Kyrie II | Filipe de Magalhães, Cupertinos, Luís Toscano | B Minor | 1 | 10A | 79 BPM | ||
Messa a quattro voci, SV 190: VI. Agnus dei | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Tallis: Lamentations of Jeremiah 1 - 2. Aleph | Thomas Tallis, The Tallis Scholars, Peter Phillips | A♭ Minor | 1 | 1A | 95 BPM | ||
Life-giving Spring | Victoria Vita Polevá, Apollo5 | C Major | 0 | 8B | 103 BPM | ||
Arae post libamina / Nunc surgunt | Mayshuet de Joan, Gothic Voices | D Major | 1 | 10B | 109 BPM | ||
Missa Prolationum: Kyrie I | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 133 BPM | ||
Victoria: Requiem (Missa pro defunctis) - 01. Introitus - Requiem aeternam | Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars | G Major | 1 | 9B | 169 BPM | ||
Palestrina: Missa Papae Marcelli - 04. Gloria | Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars | B Major | 2 | 1B | 75 BPM |