"Missa pro defunctis: II. Kyrie" by Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron was released on August 19, 2016. The duration of Missa pro defunctis: II. Kyrie is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Missa pro defunctis: II. Kyrie's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Vox Luminis, Lionel Meunier, L'Achéron, Scorpio Collectif's "Kerll & Fux: Requiems" album is number 2 out of 14. Based on our statistics, Missa pro defunctis: II. Kyrie's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa pro defunctis: II. Kyrie by Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron to be Allegro (fast, quick, and bright) because the track has a tempo of 138 テンポ, a half-time of 69テンポ, and a double-time of 276 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Stabat Mater Dolorosa à dix voix: Stabat Mater Dolorosa | Domenico Scarlatti, Ensemble William Byrd, Graham O'Reilly, Catherine Greuillet, Raphaële Kennedy, Sophie Decaudaveine, Brigitte Vinson, Pascal Bertin, Vincent Darras, Bruno Boterf, Raphaël Boulay, François Fauche, Paul Willenbrock | B Minor | 2 | 10A | 129 BPM | ||
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: V. Ach ja, mein Gott | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | B♭ Major | 0 | 6B | 55 BPM | ||
Ach Vlaendere vrie | Thomas Fabri, Capilla Flamenca | B♭ Major | 2 | 6B | 89 BPM | ||
Sequentia: Pie Jesu | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | E♭ Major | 1 | 5B | 76 BPM | ||
S'io non miro non moro | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | C Major | 1 | 8B | 67 BPM | ||
Salve Regina pour soprano, contre-ténor et basse continue: III. Eja ergo (Moderato) | Domenico Scarlatti, Vox Luminis, Lionel Meunier | E♭ Minor | 0 | 2A | 74 BPM | ||
Stabat Mater pour dix voix et basse continue: III. Quis non posset | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Minor | 1 | 11A | 74 BPM | ||
Cancionero musical de palacio: No. 16, A los baños del amor | Anonymous, Música Temprana, Adrian Rodriguez van der Spoel | D Minor | 0 | 7A | 166 BPM | ||
Laudate Pueri: VII. Gloria Patri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford | A Major | 1 | 11B | 85 BPM | ||
Ich fahre auf zu meinem Vater, TWV 1:825: V. Aria "Mein Schifflein treibet auf den Wellen" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, Raphael Höhn | C Minor | 3 | 5A | 76 BPM |