"Salve Regina pour soprano, contre-ténor et basse continue: III. Eja ergo (Moderato)" by Domenico Scarlatti, Vox Luminis, Lionel Meunier was released on September 29, 2008. With Salve Regina pour soprano, contre-ténor et basse continue: III. Eja ergo (Moderato) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 19 in the song's album "Scarlatti: Stabat Mater". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Belgium. Salve Regina pour soprano, contre-ténor et basse continue: III. Eja ergo (Moderato) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Salve Regina pour soprano, contre-ténor et basse continue: III. Eja ergo (Moderato) by Domenico Scarlatti, Vox Luminis, Lionel Meunier having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa Delli Apostoli: Kyrye II | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Israel in Egypt, HWV 54, Pt 2. "Exodus": II. And the children of Israel sighed (Solo & Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers, Daniel Moody | B Minor | 2 | 10A | 89 BPM | ||
Scarlatti, D: Keyboard Sonata in E Major, Kk. 380 | Domenico Scarlatti, Scott Ross | A Major | 5 | 11B | 106 BPM | ||
Aria for Five Voices: Komm, Jesu, komm | Johann Schelle, Dorothee Mields, Kirsten Witmer, Damien Guillon, Thomas Hobbs, Peter Kooij, Philippe Herreweghe, Collegium Vocale Gent | A Major | 1 | 11B | 83 BPM | ||
Stabat Mater in G Minor: VII. Sancta Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Minor | 0 | 10A | 57 BPM | ||
Vespro della Beata Vergine, SV 206: Quia respexit | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Minor | 1 | 6A | 88 BPM | ||
Dido and Aeneas, Z. 626: Act II: Chorus: In our deep vaulted cell | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | E Major | 1 | 12B | 138 BPM | ||
Exaudiat te Dominus, LWV 77 No. 15: VIII. Gloria Patri et Filio | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Auf Christi Himmelfahrt allein, BWV 128: IV. Duetto "Sein Allmacht zu ergründen" | Johann Sebastian Bach, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, William Shelton, Raphael Höhn | F♯ Major | 2 | 2B | 137 BPM | ||
Missa in D-Dur, KV194: Benedictus | Chor und Orchester von St. Augustin, Cornelia Horak, Klemens Sander, Martina Steffl, Andreas Pixner, Alexander Kaimbacher | D Major | 1 | 10B | 114 BPM |