Bonaventura Bottone, Gareth Jones, Malcolm Rivers made "The Mikado: A Wandering Minstrel I" available on 1999. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "The Mikado (English National Opera Cast Recording)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, The Mikado: A Wandering Minstrel I is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With The Mikado: A Wandering Minstrel I by Bonaventura Bottone, Gareth Jones, Malcolm Rivers having a テンポ of 109 with a half-time of 54 テンポ and a double-time of 218 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Pirates of Penzance: Climbing Over Rocky Mountain | Patricia Cameron, Pauline Birchall | C Major | 1 | 8B | 59 BPM | ||
La Traviata, Act III: Addio, del passato | Giuseppe Verdi, Lisette Oropesa, Daniel Oren, Dresdner Philharmonie | A Minor | 0 | 8A | 79 BPM | ||
The Pirates of Penzance: Oh, Better Far to Live and Die | Malcolm Rivers | C Major | 2 | 8B | 133 BPM | ||
The Pirates of Penzance: Overture | New D'Oyly Carte Opera Orchestra | G Major | 1 | 9B | 140 BPM | ||
Samson et Dalila, Op. 47: Act III: Salut! Salut au juge d'Israel... | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | E♭ Major | 2 | 5B | 113 BPM | ||
Five Housman Songs Op 14, Part 3: No. 5, Because I liked you better | Lennox Berkeley, Robin Tritschler, Malcolm Martineau | E♭ Minor | 1 | 2A | 113 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
Otello, Act III Scene 8: All hear me! The Doge… (Otello, Roderigo, Iago, Cassio, Lodovico) | Giuseppe Verdi, Sir Mark Elder, English National Opera Orchestra, Charles Craig, Neil Howlett, Bonaventura Bottone, Sean Rea, Shelagh Squires, Stuart Kale | D♭ Major | 0 | 3B | 68 BPM | ||
Momele | Al Goodhart, Cheri Rose Katz | A Major | 2 | 11B | 153 BPM | ||
Songs of Old Ireland (Version for Voice & Orchestra): No. 2, Emer’s Farewell to Cucullain | Charles Villiers Stanford, Morgan Pearse, BBC Concert Orchestra, John Andrews | E♭ Major | 1 | 5B | 110 BPM |