"Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée" by Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar was released on December 4, 2020. With this song being about 5 minutes long, at 4:35, "Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée" by Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Munich Radio Orchestra, Cappella Coloniensis, Vienna Radio Symphony Orchestra, Serge Baudo, Lamberto Gardelli, Ferdinand Leitner, Anthony Spiri, Leopold Hager, Jessye Norman, Nicolai Gedda, Dietrich Fischer-Dieskau, Pilar Lorengar, Franco Bonisolli, Bavarian Radio Chorus, Thomas Moser, Kaaren Erickson, Ruth-Margret Putz, Elisabeth Söderström, Lothar Zagrosek, Jan-Hendrick Rootering, Iris Vermillion, Robert Gambill, Walton Groenroos, Alexandrina Milcheva, Kölner Rundfunkchor, Anne Tedards, Sylvia Greenberg, Ileana Cotrubas, Gabriele Fontana, Julie Kaufmann, Anna-Marie Rodde, Marga Schiml, Arnold Schoenberg Chor, Robrt Gambill, Chor des Osterreichischen Rundfunks, Annegeer Stumphius, Anna-Maria Rodde, Claes-Håkan Ahnsjö, Ulrich Ress's "Gluck: Opera Gala" album is number 9 out of 39. Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée by Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Giorgio Tadeo, Carlo Cava, Gianna D'Angelo, Gabriella Carturan, Nicola Monti, Renato Capecchi, Bavarian Radio Symphony Orchestra, Bruno Bartoletti, Coro dell' Opera Nazionale Italiana | C Major | 6 | 8B | 103 BPM | ||
Return To Italy | David Garrett, Munich Radio Orchestra | E Minor | 1 | 9A | 60 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Che puro ciel!" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Les 7 paroles du Christ: 3e Parole - "Mulier, ecce filius tuus" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Major | 2 | 6B | 74 BPM | ||
The Bartered Bride: ACT I, Jeník, Mařenka Jako matka požehnáním | Bedřich Smetana, Tomáš Juhás, Jiří Bělohlávek, BBC Symphony Orchestra, Dana Buresova | B♭ Major | 1 | 6B | 71 BPM | ||
Jenufa / Act 1: Uz se vecer chyli | Leoš Janáček, Elisabeth Söderström, Marie Mrazova, Peter Dvorsky, Jana Jonasova, Wiener Philharmoniker, Sir Charles Mackerras | A♭ Minor | 1 | 1A | 87 BPM | ||
Prodaná Nevesta (The Bartered Bride): Kdybych se co takového (Should I ever happen to learn) (Act 1) | Bedřich Smetana, Lucia Popp, Munich Radio Orchestra, Stefan Soltesz, Muenchner Rundfunkorchester | D♭ Major | 1 | 3B | 103 BPM | ||
Messa di Gloria: IV. Gratias | Giacomo Puccini, Charles Castronovo, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | B Minor | 6 | 10A | 83 BPM | ||
Il barbiere di Siviglia / Act 1: "Ecco, ridente in cielo" - "Ehi, Fiorello?" - "Gente indiscreta!" | Gioachino Rossini, Luigi Alva, Renato Cesari, Barna Kováts, Theodor Guschlbauer, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | G Major | 2 | 9B | 136 BPM | ||
Les Pêcheurs de perles: Amis, interrompez vos danses et vos jeux (Zurga, Fishermen, Nadir) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | A♭ Major | 2 | 4B | 101 BPM |